Maureen A. Sherbondy
www.maureensherbondy.com

At an early age I set four goals for myself: (1) earn a college degree, (2) marry, (3) have three children (yes, three, I have always been very decisive) prior to thirty, and (4) publish a book.

By twenty-nine I had checked the first three items off my life’s to-do list. Item four eluded me. Get a book published. Was I crazy? What was I thinking? I hadn’t even majored in English in college. I had no publishing contacts, yet I continued to write and read and refine my craft. Alone. It was a solitary act, this writing business. I managed to send some poems and stories out and get a few pieces published. But a book! This task seemed impossible.

Then in 1996 I moved to Raleigh, North Carolina. Everywhere I went, someone was either writing or talking about writing—at the local Starbucks, in the YMCA locker room, at temple. For the four years I had lived in Pennsylvania, I had never once bumped into another writer. This state was different, though. Someone told me about the North Carolina Writers’ Network. I was so excited to hear that an active, thriving organization existed for people like me.

Soon, I signed up for my first NCWN conference and felt both excited and terrified. But the other writers, from Tony Abbott to Dave Manning, were so friendly. I remember people wore nametags with their chosen genres scrawled on their tags. This was a great conversation starter. Many friendships took root and blossomed. Writers whose work I admired taught informative, helpful classes. These workshop leaders were enthusiastic and knowledgeable. I took notes, learned how to write better, and discovered local journals. On display tables, workshop leaders and other NCWN authors exhibited their books of poetry, fiction, or essays. I remember drooling over the covers. In my head a little voice whispered, One day my book will be on that table. This tangible goal gave me something to work toward. When my mailbox overflowed with rejection letters, when I lost yet another book contest, I thought about my book displayed on that conference table.

If I had not attended the NCWN conferences, I never would have had my first book published. Every time I attended the Fall Conference, I walked the perimeter of the vendor room, where publishers set up tables and sold their books. There, I met Scott Douglass, owner and editor of Main Street Rag Publishing. Every time I returned to the conference, I talked to him, bought some of his fine books. He was publishing wonderful North Carolina poets and poets from other states.

At the 2006 conference, I once again stopped at his table and spoke with him. By this time, my work had appeared in over a hundred literary journals, and my poetry manuscript had landed on the finalist lists of several book contests. But I was frustrated, still missing that elusive book contract. Would I be sending manuscripts to book contests when I was ninety years old? Was this last goal on my list unattainable?

I will remember this next moment always. Later in the conference, as I was talking to Susan Lefler, a poet friend whom I met years earlier at another conference, Scott Douglass tapped my shoulder and said, “I don’t usually do this, but I am inviting you to submit a book to me for consideration.”

My jaw must have dropped. I could hear my heart pounding. At first, I thought he was talking to someone else. I had been waiting my whole life for someone to say these words. So, the rest is history. I sent the book, and After the Fairy Tale was published in 2007. I was ecstatic.

Until then, I had never thought beyond achieving that book publication goal. After a book is published, actually months before, the author becomes a marketer. Having a new goal of selling my book, I quickly learned that the NCWN was an extremely important promotional resource. I was able to post my Web site link on their Web site, to mention my good news in their Book Buzz, and also to announce my upcoming readings in their calendar. And, of course, I returned to the Fall Conference with my books. Standing over the display table there and seeing my first book was a preeminent life moment. On the outside I was calm and quiet, but on the inside I was jumping up and down yelling, “I did it!”

I strongly recommend joining the NCWN for writers who are interested in improving their craft, meeting a community of supportive writers, learning about the publishing universe, and promoting their books and events. The NCWN has, in Frost’s words, “made all the difference” in my book publication journey.

Doris Betts Fiction Prize

Postmark Deadline: February 1 (annual)

The North Carolina Literary Review Fiction Editor Liza Wieland is now accepting submissions for the 2010 Doris Betts Fiction Prize competition, sponsored by the North Carolina Writers Network and the North Carolina Literary Review. Deadline February 1. First prize is $250. The winning story and select finalists will be published in NCLR

Please note: NCLR’s website has recently been updated, so the link to the “submit it online” section that was previously posted on the North Carolina Writers Network website and sent out with early notices has changed. The new link is:

http://www.nclr.ecu.edu/submissions/submit-online.html

Or, you can just go to NCLR’s home page, www.nclr.ecu.edu, and click on submissions, then the submit tab.

If you have difficulty navigating our new electronic submission process, be assured, we will respond to your emailed questions, and if you mail your submission fee check in, postmarked by Feb. 1, your story will be considered in the competition.

Eligibility & Guidelines

• The competition is open to any writer who is a legal resident of North Carolina or a member of the North Carolina Writers’ Network. North Carolina Literary Review subscribers with North Carolina connections (lives or has lived in NC) are also eligible.
• The competition is for short stories up to 6,000 words. One entry per writer. No novel excerpts.
• Submit stories electronically via the NCLR’s online submission process. For electronic submission instructions and to start the online submission process, go to: http://www.nclr.ecu.edu/submissions/submit-online.html.
• Names should not appear in the Word file of the story; authors will register with the NCLR’s online submission system, which will collect contact information and connect it to story submission.
• An entry fee must be mailed to the NCLR office (address below) by the postmark deadline (Feb. 1 each year, or Jan. 31 if Feb. 1 falls on a Sunday).
• You may pay the Network member/NCLR subscriber entry fee if you join NCWN or subscribe to the NCLR with your submission:

$10/NCWN members and/or NCLR subscribers
$20/nonmembers (must be a North Carolina resident)

• Checks for submission fee and/or Network membership should be made PAYABLE TO the North Carolina Writers’ Network (separate checks payable to NCLR only if purchasing a subscription).
• Mail checks or money orders to:

North Carolina Literary Review
ECU Mailstop 555 English
Greenville, NC 27858-4353

Direct competition questions to: This e-mail address is being protected from spambots. You need JavaScript enabled to view it
Direct electronic submission process questions to: This e-mail address is being protected from spambots. You need JavaScript enabled to view it

NORTH CAROLINA—Essays about the emotional distance between a father and son, a woman’s capacity for violence, and a functionally disabled teenager received top honors in the 2010 Rose Post Creative Nonfiction Competition, sponsored by the North Carolina Writers’ Network.

John Picard of Greensboro won first place for his essay “The Iceman.” Author Virginia Holman, the final judge of this year’s contest, praised Picard’s essay for its “wonderful use of detail.” She added, “Fully developed characters emerge in spite of profound physical and emotional limitations.”

Durham writer Rachel E. Pollock’s essay “Until Morale Improves” came in second place. Pollock’s essay describes a costume-shop worker preparing a costume for a violent scene, and “in the process explores her own personal sources and capacity for violence,” according to Holman.

Holman awarded third place to Deborah Gold’s essay “Cody, age 14 (or 15, if you ask him).” Holman praised Gold’s “engaging, energetic prose” in this story of a functionally disabled young man.

Virginia Holman is the recipient of a Pushcart Prize, a Rosalynn Carter Mental Health Journalism Fellowship, and a North Carolina Arts Council grant. Her memoir Rescuing Patty Hearst won the 2003 Outstanding Literature Award from the National Alliance for the Mentally Ill.

Sponsored by the North Carolina Writers’ Network and administered by the creative writing department at the University of North Carolina Wilmington, the Rose Post Creative Nonfiction Competition encourages the creation of lasting nonfiction work that is outside the realm of conventional journalism. The contest is open to any legal resident of North Carolina or member of the NC Writers’ Network. First-, second-, and third-place winners receive $300, $200, and $100, respectively, and the winning entry is considered for publication in the magazine Southern Cultures.

The nonprofit North Carolina Writers’ Network is our state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit http://www.ncwriters.org.