Writing the New South
"Writing the New South is a brilliant, exciting, and NECESSARY project---sign me up, count me in! The 'New South' is a cauldron of change, a fertile field of art, a proving ground for new possibilities. I can't wait to see what everyone has to say, and in what genres. This is a real opportunity for us all to deepen our understanding of where we live, who we are, and what we believe in." --Lee Smith Click here to upload a submission to Writing the New South (you must be a member of the Network to submit)
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Written by Scott Owens
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Wednesday, 16 June 2010 12:47 |
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A man with a pockmarked face, jittery blue eyes, thin greased hair that won’t stay back says to me, This is crazy, ain’t it.
I nod and smile. He adds, I heard the South will be completely out in a week.
Eyeing my Prius, he asks, What can you get out of that thing for real?
Fifty, I answer.
Shit! That’s a damned good car, he says.
We like it, I tell him. We’ve always liked Toyotas. They never break down.
Looking around, he says, What are people gonna do?
Stay home, I guess, I chuckle, flash my most reassuring smile.
After a pause, he says, Give 'em another week. They’ll be killing each other. |
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Written by Joey Olschner
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Tuesday, 04 May 2010 13:49 |
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“One-Note Diamond”
An Excerpt from The Long Horn
By Joseph Olschner
The stillness, the whistle,
it is the distance that it ripples,
dropping a seam of metal onto the fabric
of curtained night hemmed by dark morning.
It becomes a melody of history,
a one pure multitone beacon
of disjointed harmony,
rolling into the Carolina countryside.
High
clouds rimmed
in bright
ice moonlight,
the silhouette of pine-top
tree lines,
all of it becoming
canyons of the echo
as this train horn spills
over thick, stumped forests
and one-light crossroads of deep America.
This simple holy horn dives into this rich countryside,
rolls through rows of summer corn,
over silent fields of pebbled cotton,
with the fabled pale light of a slow-bleed dawn
erupting over small neat gardens
laced with vines
on webbed string
and bushes
speckled thick with berries.
Still,
no one here has a memory of this,
of trains passing farms lit by wicks,
dirt towns circled
by fenced animals and
fecund scents,
smoke lines drifting into rich morning skies,
pencil-lined, delicately trimmed
until reaching
the same exact height
where a hidden
current disrupts them,
bending the wisps to disappear
into
a faint lattice
lacing the flicker of high stars,
jewels overlooking dirt.
Who were we then
to witness this,
the world-rimmed dawn pulling trains
from farmland and wooded swamps,
or the steel whistle culling the colors of
microscopic light
in time
to be perfect
with all the rest of imperfection.
Who were we
to gauge our rise
by the growing light,
and with the chorus of yard roosters,
the sound of
boots heels clomping
room to room,
the quiet knock on wood doors,
we were they
who lit the stoves
and sipped harsh coffee
in a warm, bareboard kitchen,
staring out through
window panes loose for glazing
but getting flowered curtains instead.
When this horn sounds,
we become a partner to that long past,
a funnel to the history
with all the railroads and rail yards,
the barns labor raised,
the homes now rotten and caved,
the lynching trees,
the forests ripped,
fields rimmed with curbs and clean order,
neighborhoods named after dead generals
or animals long extinct.
This train’s wail is not a simple sound.
It is a church bell,
a holy horn
moving
across the stillness
of a planet,
itself moving into,
and away from,
the path of the sun.
This stiff whistle knifes
through the same
dark morning,
announces the same
dire caution,
raises our gaze from wooden streams,
bestows to us and to they who
used to be us
the same look to the clock
or turn of the head.
And it knows
what it always knew,
how to breathe into us
and how to rotate desire
and turn us
into our own clear window.
And twenty miles the other way,
as the distant,
one-note diamond sound of a distant
invisible train
drifts
and circles over
the neon-lit,
yellow-lettered Waffle House,
a calloused brown
hand pulls
a crumpled dollar
from a ragged pocket
and drops
it beside white breakfast plates,
themselves speckled yellow.
This soldier farmer turned Internet trucker
will walk into
a new day’s
darkness,
the blue exhaust lacing
the early morning,
the last bright stars
lacing pale light,
the trailer rig
filled with live pigs for bacon,
his cab filled with Blue Eyes Crying in the Rain,
and he will pull this weight into
a deserted sweet daylight
erupting over
the headlights of stacked traffic,
grinding the gears for another chance
to stand at the gate
or march through Rome, or give witness
to one more Truth unknown to purpose. |
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Last Updated on Tuesday, 04 May 2010 18:09 |
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Written by Mimi Peel Roughton
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Monday, 12 April 2010 15:10 |
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Spring, 1984. Working a concert at the Royal Festival Hall in London, I meet a Brit couple during the interval. “So you’re from North Carolina? Where?”
“Oh, it’s tiny, you’ve never heard of it.”
“Try us.”
“Williamston.”
“Home of the Sunnyside Oyster Bar! We’ve eaten there!”
Recently the Sunnyside was featured in Gourmet Magazine, but my London experience is proof—it was already internationally famous.
Winter, 1998. My eight-year-old daughter, Lily, and I have just moved to Durham from the Pacific Northwest. We’re visiting family down east in Williamston during an R-month, so naturally we visit the Sunnyside.
In business since 1935, it’s an unprepossessing Craftsman-style wooden structure on the road into town, with a discreet pink-and-blue neon window sign. We’re finally seated at the seventy-foot, horseshoe-shaped counter. Behind it, men sling out buckets of oysters, then artfully shuck and serve them one by one into each patron’s dish. Some work silently, others crack jokes, adding to the convivial din of conversations and laughter. Cedar shavings cover the floor.
We finish our pecks of cold, clean, slippery, briny raw oysters, then our medium-steamed ones, which are warm, more al dente—both kinds dipped in melted butter and a warmed-up, secret-recipe cocktail sauce, served with saltines. The Sunnyside has no kitchen, so they don’t mess with hush puppies, and there’s nary a vegetable in sight in this inner sanctum. However, on big-crowd nights, like Thanksgiving Friday, people sometimes bring raw veggies and dip to the outer waiting area, where the bar is. While waiting they drink brown-bagged bourbon, and swing a string with a metal ring to catch the hook on the wall—world’s simplest game.
The economy in eastern North Carolina is shriveling, but tonight, watching all the joyful reunions at the Sunnyside—some planned, some unexpected—you’d never know it. Few towns have such a reliable gathering place for meeting and greeting. Several guys I went through school with bought the business in 1991 from the original owners, the C. T. Roberson family. Here at the Sunnyside, there’s a feeling of prosperity. “They must be making a killing,” I tell my sister.
I notice Lil’s wooden barstool empty, go looking in the knotty-pine-planked ladies’ room, both waiting rooms, then out into the cold. I find her out back by the steamer, coat flung over a bush, dancing in briny steam. Seeing me, she sings, “This is my favorite restaurant in the whole wide world!”
That’s funny because, like most children, Lily wouldn’t dare eat an oyster. Even my Williamston-born father was squeamish. “History’s bravest man? The first to try an oyster.”
It’s fun seeing people I know from childhood, people my parents knew. “Salt of the earth,” Daddy called some of them. But knowing nobody, you’d still sense the charge in the air. Mama recalls oyster-lovers traveling by limo to this small town on the Roanoke River. To celebrate a husband’s birthday, she says, wives as far away as Raleigh have rented a bus, filled it with friends and a fully-stocked bar, and directed the driver to Williamston.
The Sunnyside has changed over the years. Brown bagging gave way to liquor-by-the-drink when Martin County passed the referendum, though in 2010 they dropped mixed drinks because of the regulatory hassle and stuck to beer—and wine, which my husband notes with amusement is cheaper than the beer. The building has been listed in the North Carolina Historical Register, and given a couple of sensitive remodelings. The oysters, once from North Carolina’s coastal waters, now come mostly from the Gulf. A few menu additions—bowls of shrimp, scallops, crab legs and recently—though rarely ordered—the heretical broccoli-with-cheese.
Also, changes in personnel. From the earliest days, all the shuckers were black men, their faces pictured on paper placemats with their autographs. Mama laminated several of these placemats for me to use at home, but they made me uncomfortable, reminded me that once blacks couldn’t eat at the Sunnyside, only work there. A few years ago the first white face appeared on the placemats—one of my older sister’s classmates from Williamston High School.
The shuckers are all colorful characters, talented servers. Good tips make it the best service money around. A job whites might have considered demeaning in the past, they are now proud to hold. More recent placemats show sunny faces, about half of them black and half white, framing a simple hand drawing of the Sunnyside Oyster Bar. Under each picture is a name: Timothy Smith, Joey Andrews, Elbert Lee “Griff” Griffin, Floyd L. Spruill, Eric Brown, Jarred Price, Johnny Whitaker, Cody Bryant, Nathaniel “Nate” Williams, Jesse R. Massenburg II, Natt Whitaker. I’ve laminated dozens of these newer placemats and enjoy using them and giving them to people from all over I’ve introduced to the Sunnyside. |
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Last Updated on Friday, 16 April 2010 14:37 |
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Written by Robert Katrin
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Friday, 05 February 2010 19:31 |
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In Thomas Wolfe’s Look Homeward Angel, Oliver Gant, after learning stonecutting in Baltimore, moves to the Reconstructed South and stays sober long enough to meet his first wife. Eighteen months later he’s relapsed, and she’s died of a hemorrhage. Rootless, adrift, and scared of dying of tuberculosis, he sets out westward seeking anonymity and ends up in the mountain-valley town of Altamont (Asheville, North Carolina). He wonders: Why here?
I immigrated to North Carolina thirty-three years ago after I was laid off during New York City’s financial crisis and my girlfriend was moving here to be closer to her mother.
I helped her move, driving a big U-Haul full of her belongings from the Long Island town of Sagaponack to Durham and then down Rt. 1 (the Jefferson Davis Highway) to Southern Pines in the Sandhills, a rural region of ancient dunes near Pinehurst, the famous golf resort.
After arriving I stayed a couple of weeks and then returned to Brooklyn. Over the winter my girlfriend and I talked about our future. I didn’t know if or when I’d get my job back; we missed each other, so I decided to join her.
I’d never lived anywhere else and, unprepared for provincial small-town life, I went into culture shock. Within six months, although my girl wasn’t happy about it, I decided to go back home. So I packed, rented a car, and was driving back to the city on I-85 on a clear, starry October night when I had what can only be described as a mystical experience. Something, I think it was God, told me to go back to Southern Pines. I did and I’ve been here ever since.
Living here has brought me both gifts and afflictions. The Lord giveth and taketh away, works in mysterious ways, and it’s said that everything happens for a reason, but sometimes I’ve wondered if Descartes was right when he posed God as an evil deceiver. God’s gifts come with strings attached.
Every spring the thick, brittle leaves of the magnolia near my driveway drop, hitting the asphalt with a crack. When the wind blows you hear them scraping, and if you step on one it crunches. After a shower, piles of leaves heaped all over town emanate brown liquor reeking of primordial swamp. When the trees bloom they have large, white blossoms most people find attractive but I see as ungainly. They’re short-lived and languishing under their own weight; they’ll yellow, flop over, and die.
It’s also the time of year my windows are open before the heat sets in, and the large Presbyterian church around the corner sometimes broadcasts hymns after tolling the hour and I have no choice but to listen to them. My parents were French-Mexican, Catholic and Russian, Jewish. After living here for a decade I found a job I loved and started attending conferences. The proceedings always started with a prayer to Jesus, common in the Bible Belt, but that I never found appropriate.
I met my girlfriend at the Zen Studies Society in Manhattan, but after we married—she was raised Episcopalian—we made a foray into local religion. It was a social initiative, an attempt to blend in to the community, but I always felt like a stranger in a strange land. There were fewer immigrants in those days, and what appeared on the surface as a friendly community was also set in its ways, class bound, and parochial.
North Carolina was a red state until Obama, although historically more progressive than the rest of the South. It has some of the largest military bases in the country, and I live a short distance from Fort Bragg. I’ve been apolitical most of my life, except during the Vietnam War and since the advent of the Iraq War, the onslaught of flag-waving, and the local military buildup. I found myself dispensing antiwar, liberal views in a forest of conservatism. Years ago I wrote a wry letter to the local newspaper, The Pilot, complaining about the 82nd Airborne’s cannons rattling my windows. The responses to my letter characterized me as little less than a traitor.
I want to say this without sounding bigoted. There are good people living here and even if they don’t know you they have a seemingly benevolent need to wave at you from their cars. In New York City you never made eye contact on the subway and never waved or smiled at anybody you didn’t know.
Recently, on my way back to North Carolina from northern Virginia on Amtrak, as we approached Rocky Mount, I experienced an internal smile as I looked out on the familiar countryside. When we stopped in Raleigh I observed a family from Boston on their way to Orlando. The dad, covered in Celtics logos, affectionately called his son stupid, and I winced; the people appeared so crude. When I lived in Brooklyn years ago they would have sounded like everyone else but living here has changed me.
It took a long time, but I was inoculated with a slow-drip titration of Southern culture and civility and fell in love with North Carolina and maybe even this illiberal, hybrid resort town. Along the way, I’ve developed a yen for iced tea and bourbon, and given a choice, would eat a biscuit as soon as a bagel.
These days I want to put a wall around North Carolina. The heavy immigration started in the 80s but attracting tourists to the state has been developing since the late 1800s. North Carolina, formerly known as the “Rip Van Winkle” state, has become urbanized, suburbanized, and more diversified. As Thomas Wolfe believed about his beloved birthplace, Asheville, degrees of native charm and culture have suffered, and much of the prime land in the state continues to be broken up for upscale resorts and developments.
There are things I admire about Southern culture and things I don’t, but I don’t want the South to lose its stubborn, inimitable soul. Right now I’m working hard to understand North Carolina, its history and people, because I want to come to peace with living here, but I still wonder. Why here? |
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Written by Robert J. McCarthy
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Thursday, 21 January 2010 15:07 |
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They: Latinos in North Carolina A Personal Essay By Bob McCarthy
Senora Gavilan arrives with her baby at the hospital business office where I volunteer. Mounting medical bills have driven her here. She appears tired, the twists in her single, black braid loosened, perhaps a visual into her state of mind. She responds to my efforts when I greet her, guide her to the office, and assist her in filling out the application for aid, each time with a smiling “gracias.”
I serve as a Spanish interpreter, “mas o menos” (more or less) I always say, adding, “mas menos que mas.” It usually draws a smile, if not a laugh, from nervous lips. Three years before I retired, I decided to learn Spanish. More than an oft-deferred life goal, I wanted to help. Latinos are a community presence in Henderson, North Carolina, many of them speaking little or no English.
Sra. Gavilan’s handshake is mild, she wears a floral perfume, and her voice is low-pitched, slightly hoarse, and warm. It is the voice, as it always is, that tips me over, that cinches the meeting of individuals. Whatever I might be for her, she is a distinct person for me, one who leans forward and engages my eyes when she speaks. We go from there, working together to complete our complementary tasks.
Learning she is eligible for help, her eyes tear. Her gratitude swells when I insist upon carrying her daughter as I escort Sra. Gavilan back to her well-traveled Chevy Blazer. A quick glance at the baby reveals two staring black eyes over a puddling brown smile. Teeth lie in the future. I wonder if the baby senses her mother’s relief?
I am always amazed at the burden of trust people like Sra. Gavilan must shoulder even to come to the office. The overwhelming majority are indocumentados who don’t speak English. Discovery has to be a constant fear.
I’ve often heard Latinos dismissively referred to as they. But for me, Sra. Gavilan is no longer (if she ever was) a part of a faceless grouping. She is who she is, a human being with a unique personality and an intelligence ready to engage. And in that, she enriches my life even as I try to make hers a bit less burdensome.
Pass a construction site in Henderson, you will likely find Latinos working. Where at one time there were set-asides excluding Latinos—masonry conceded to blacks, finish carpentry to whites—that is changing. They increasingly do everything that involves labor, what I call real work. Agriculture, lawn and property maintenance, manufacturing (what little there is) —they are there.
My wife and I contracted to have the exterior of our house painted. Jorge—“call me George”—and his crew, Latinos all, arrived and went to work. Between reversed ball caps and trimmed mustaches, their eyes rarely strayed from the task at hand, even when conversing. The white contractor told me, “I’ve been in the business over twenty years, tried all kinds. These guys are the best.”
By the time the paint dried, they had prepped and painted two interior rooms while repairing cracks in inner walls, a damaged ceiling, and a rotted threshold. They also added mortar to gaping brickwork, and replaced warped decking. All of this in addition to the exterior painting, and the work was exemplary. More importantly for my wife, they removed a snake that fell off the garage door as they were painting it.
In brief interludes—a water break, a breather from intense North Carolina heat, general clean up—I spoke to Jorge in Spanish. I never pass up an opportunity to practice. He complimented my “acento.” In turn, I expressed my satisfaction with his good work.
With the increasing presence of Latinos in Henderson, I’ve heard occasional sniping comments about “the language,” as in they don’t speak “it”—it, of course, English. In Henderson (as I suspect is true elsewhere), the children of Latino immigrants learn English rapidly, even when Spanish is solely spoken at home. But if the barrier of language is what primarily separates some residents of North Carolina from others, then I want to help dismantle it or, at the very least, help them negotiate it. It was for this reason I underwent the hospital’s volunteer orientation.
As far-fetched as the anglo fear of a Spanish conquest strikes me, it might be more conceivable if everyone who spoke Spanish was culturally similar. Descriptors like “Latino” falsely suggest a single people, providing only a telescoped they. At best, “Latino” loosely clumps culturally diverse peoples who speak many languages derived from Spanish. Moreover, when we overcategorize, does this not blind us to the individual? If I say “Latina” rather than “Senora Gavilan,” am I not forcing her into a them, leaving me subservient to a bias I might fail to recognize?
Craig Ferguson, comedic host of The Late Late Show (I TiVo it), ends each night asking, “What did we learn tonight?” a humorous lead-in to signing off. But the question is more broadly relevant to my experiences with Latinos in Henderson. What have I learned thus far?
I’ve become more aware of the humanity, collectively and individually, of people striving for a better life. Rather than ennobling them (the Dances with Wolves effect), the humanity I detect is human, and in that, warts and all, it brings them closer to me. To us.
I’ve also become increasingly aware of North Carolinian generosity through our programs to keep the undocumented from drowning beneath waves of unremitting medical bills. The experience has increased my sense of pride in North Carolina. Behind the public grumbling against them, we do care. And I’ve learned the Spanish word for “disrobing,” i.e., quitarse, as in “Por favor, quitese su ropa.” Please remove your clothes. Perhaps I should explain.
I was asked to assist Senor and Senora Camarillo in her preparation for an endoscopy, an outpatient procedure designed to visually examine the upper gastrointestinal tract. An attractive couple, they seemed a good match, her quiet assertiveness balancing his courtly reserve. She asked the questions, then, they would confer. Their hope was that her doctor might finally be able to explain continuous GI distress; mine—that I might alleviate her presurgical anxiety by explaining the procedimiento and guiding her through each stage of the process until the OR nurse took over.
I accompanied her to the surgical-prep bay, interpreting the nurse’s instructions up to the moment she was to disrobe and don a surgical gown. In the middle of my instructions, I forgot the verb for disrobing. Without flinching, Sra. Camarillo reminded me it was “quitarse.”
Let me quickly add: when I asked Sra. Camarillo, per the nurse’s instructions, to disrobe, I also requested that she immediately put on a hospital gown. I experienced no difficulty remembering the verb “to put on.” I thanked her for her assistance and left.
I then returned to the husband in the waiting room, and explained where his wife was in the process—omitting the part about disrobing.
What else have I learned?
I’ve learned we’ve experienced an influx of people much like our ancestors—possibly the most desperate but likely the bravest. Would I, in similar straits, have the courage to uproot myself to, say Brazil, no matter the opportunity, where I’d become a foreigner without the language, social connections, or cultural acceptance? Where at the caprice of economic downturn I become suspect, perhaps viewed as a drag on native advancement, especially if I’m undocumented?
North Carolina is experiencing an economic downturn. In Vance County, the unemployment percentage is high and rising with the loss of major industries (tobacco, textiles, and manufacturing)—the industries that initially attracted Latino workers. Faced with the impact of this recession, some Latinos will leave; others have already left. To succeed, one must first survive. But the stouthearted, the ones with fiber, will abide. Sra. Gavilan and her bebe, Jorge and his campaneros, Sra. Camarillo and her husband—all of them are still here, seeking to find and fit a niche. They will remain, eventually becoming fully fledged Americans.
They will become we.
(The names in this piece are fictional; the individuals exist.) |
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Hat's Off!
Nancy Purcell's short story, *Displaced Persons*, has been awarded 2nd place in the inaugural contest of the Creative Writing Corner. Her non-fiction piece, "Star Light, Star Bright", has been selected for inclusion in the anthology Patchwork Path: /Friendship Star/, due on bookshelves in late November. Nancy lives in Brevard, NC, and teaches in the adult education program at Brevard College. |
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