NCWN

NCWN

Welcome to the Writingest State!

Save the date:
2013 NCWN Squire Summer Writing Residency, July 11-14, Western Carolina University
Registration is now open!

Home
Writing for Children, with Pride PDF print email
Written by Administrator   
Monday, 29 October 2012 08:08

 

By Eleanora E. Tate, Faculty, 2012 Fall Conference Faculty, “Through the Eyes of a Child: Writing for Young People”

After nearly fifty years of being a children’s short story and book-length manuscript critique and workshop leader at retreats, residencies, conferences, and in teaching I’ve read many outstanding manuscripts for children.

Almost every one yearned, hungered, craved, even, to become a published children’s writer. It’s this kind of “fire in the belly” longing that unites all writers, regardless of the genre. A writer “shows” when s/he creates sufficient action, sensory details, description and dialogue in a scene to heighten reader’s emotions, at least for the moment. Such imagery allows the reader to “see”—perhaps emotionally feel, hear, smell, even taste—what happens so vividly that the scene becomes real. The writer produces what must be shown.

I’m proud to be a children’s book author. It ain’t easy. It takes just as much skill and perseverance. It takes just as much understanding and application of character development, setting, dialogue, voice, conflict, plot, point of view—i.e., craft—to write a compelling picture book or middle grade or YA manuscript as it does to write a barnstormer for adults. Maybe even more.

***

Eleanora E. Tate will lead a workshop titled “Through the Eyes of a Child: Writing for Young People” at the NCWN 2012 Fall Conference. Tate is a folklorist, short story writer, journalist, and author. Her children's books have won Parents Choice Awards, are ABA Pick of the Lists, are Notable Children's Trade Books, and one is a Child Study Committee Children's Book of the Year. Two are audio books and another is an award-winning television film. A former NCWN board member, a veteran writing workshop conductor, and a seminar leader over the years for the North Carolina Center for the Advancement of Teaching, among others, her newest book is Celeste's Harlem Renaissance (2007). Ms. Tate is an instructor with the Institute of Children's Literature, and on the faculty of Hamline University's Master's Degree-seeking low-residency program “Writing for Children and Young Adults” in St. Paul, Minnesota.

Pre-registration for the NCWN 2012 Fall Conference closes at 11:59 pm on Monday, October 29. On-site registration will be available at the conference.

Last Updated on Monday, 29 October 2012 08:19
 
Why You Need a Second Log Line PDF print email
Written by Administrator   
Monday, 22 October 2012 06:34

 

By Linda Rohrbough, 2012 Fall Conference Faculty, "The Second Log Line"

Linda RohrboughYou don’t have to be in this business very long before you hear about the “log line.” The log line is that one sentence that sums up your book used to generate interest from an editor or an agent. Later in your career you’ll still use your log line to talk about your book to people you don’t know, like bookstore owners or the media. A quick Google search will bring you a number of log line formulas.

The only problem is, I couldn’t make that single log line technique work for me. I tried it, though. Repeatedly. I rode the elevators with editors at conferences. When they said, “So what do you write?” I just put it out there. My one log line. And it fell flatter than a three pound fritter. We both stood there looking at it when the elevator doors opened and the editor found themselves free to flee, which they promptly did.

What was wrong? I had a single line that summed up the book. Why didn’t it work to just deliver it? I didn’t have any success until I developed a three step formula I learned by watching my New York Times bestselling author friends talk about their books. I realized I needed to start a dialog about my book that had “emotional hooks” for the listener to grasp. That’s when I developed the second log line.

The second log line adds that emotional appeal, or emotional “hook,” that a listener can grab that helps them stay with you. And it helps you start a dialog about your book, so you have interaction with the editor or agent and not just a monologue.

I have developed the second log line into a formula that works for any book, fiction or nonfiction. After all, talking about each new book is going to be a life-long skill for me. I will always have someone I haven’t met before, maybe a media person, or just a new friend, that I need to talk to about my book in a way that appeals to them. So this is a skill set that I will need as long as I am writing. I hope you’ll join me at the Fall Conference in November and let me show you my discovery of the second log line. I’ve found it quite useful, and I think you will as well.

***

Linda Rohrbough will lead a publishing workshop at the North Carolina Writers' Network 2012 Fall Conference. She has been writing since 1989, and has more than 5,000 articles and seven books to her credit along with national awards for her fiction and nonfiction. New York Times #1 bestselling author Debbie Macomber said about Linda’s new novel: "This is fast-paced, thrilling, edge-of-the- seat reading. The Prophetess One: At Risk had me flipping the pages and holding my breath." The Prophetess One: At Risk has garnered three national awards since its publication in 2011: the 2011 Global eBook Award, the 2011 Millennium Star Publishing Award, and the 2012 International Book Award. An iPhone App of her popular “Pitch Your Book” workshop is available in the Apple iTunes store. Visit her website: www.LindaRohrbough.com.

Registration for the 2012 Fall Conference closes October 29. Register now and save!

 

Last Updated on Monday, 22 October 2012 06:46
 
<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>

Page 7 of 32

White Cross School Blog

White Cross School
The Online Journal of the North Carolina Writers' Network
  • Good News from NCGA, But There’s More to Do
    From our friends at ARTS North Carolina: It’s been a busy 24 hours at the General Assembly as the House debated its budget on the floor for eight hours yesterday...
  • Play Me Some Mountain Music
    Did you know that eleven musicians from western North Carolina have been awarded a National Heritage Fellowship—the country’s greatest honor in the traditional arts? Or that the banjo was introduced...
  • Ed Southern on the Arts as Economic Engine
    A guest column by North Carolina Writers’ Network Executive Director Ed Southern appeared in yesterday’s Winston-Salem Journal. For nearly a century now, our state has built, sustained and justified a...

Now Available: Echoes Across the Blue Ridge

Echoes Across the Blue Ridge

$16.00 paperback

available in bookstores or online

Straight from the land of sky. song and story, another dynamic collection--strong and surprising.” --Lee Smith

Anyone who enjoys Appalachian Literature will be delighted by this excellent anthology, particularly because it introduces the reader to a number of our region’s gifted though lesser-known writers. Bravo!” --Ron Rash

The anthology is dedicated to the memory of our Appalachian ballad poet Byron Herbert Reece

More information here

Member Login

You must be a current member to log-in.

What's my password?




You will not be able to log-in if your membership is expired. To renew, click here.

Hat's Off!

 

Hats Off! to David Hopes, who won Third Place for his poem "Spade" in the 2013 William Matthews Poetry Prize. His poem will be published in the Asheville Poetry Review, and he will be featured at a reading at Malaprop's Bookstore this summer.

Advertisement

Banner

Upcoming Readings & Events

Thu, Jun 20th, @10:30am - 12:00PM
Brenda Ledford Reading
Sat, Jun 22nd, @9:00am - 04:00PM
Kathryn Stripling Byer, Ingrid Kraus, and Ed Southern Reading
Sat, Jun 22nd, @9:00am - 04:00PM
Ingrid Kraus Reading
Sat, Jun 22nd, @3:00pm - 05:00PM
NCWN Charlotte Metro-South
Sun, Jun 23rd, @5:00pm - 07:00PM
Janet Pittard Reading