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A Groupie for Life PDF print email
Written by Administrator   
Monday, 24 September 2012 06:15

 

By Anna Jean (A.J.) Mayhew, 2012 Fall Conference Faculty, Writing Groups That Work

I lived the first forty-five years of my life in or near Charlotte, where I was born. In the mid-70s I took writing courses at Central Piedmont Community College and made friends who formed the first writing group I’d ever been in—six or seven of us, mostly writers of science fiction and fantasy. The Aardvarks—as we called ourselves—gathered at each other’s houses on an irregular basis, smoked, drank beer, and handed out manuscripts for critique—occasionally we read aloud to each other, but not often. Sometimes we just smoked and drank beer.

I moved to Orange County in 1985, and missed the ’Varks terribly. Occasionally I went back to Charlotte, or one or two of them visited me in the converted tobacco barn near Jordan Lake where I lived for a year, contemplating my navel and writing. In the spring of 1987 I met novelist Laurel Goldman, and joined her Thursday morning writers group. Twenty-five years later, I’m still a member of that remarkable weekly gathering of writers in Chapel Hill, and now lead two groups of my own, shamelessly copying Laurel’s successful method. Over two dozen books and many short stories have been published by those in our groups, and it’s the way the meetings are conducted that helps the members become prolific writers.

Over the eighteen years it took me to write my first novel, The Dry Grass of August, I read the whole book aloud to my Thursday morning group at least twice. When it was as polished as I could make it, I handed out copies of the manuscript to them and to Laurel; they took a month or so to read it and gave me everything from detailed line editing to suggestions about over-arching structure—plot, setting, and character. Laurel read it at least twice more before I began submitting it to literary agents in the winter of 2006. My novel was accepted by Kensington Publishing in 2009, in a two-book deal; it won the Sir Walter Raleigh Award for Fiction in 2011 and was a finalist for the 2012 SIBA Book Award. My second novel, Tomorrow’s Bread, is now in progress.

If I were asked to say just one thing I’ve learned from being a member of Laurel’s Thursday morning group for twenty-five years and from leading my own groups, it would be that I’ve become a critical listener, and not just to the work of others, but to my own as well. Now when I’m writing, I often stop and read aloud (particularly dialog). This has made me a better writer and—an important thing when doing a book tour—I’m confident now when reading my work in public.

On Sunday morning, November 4, at the NCWN Fall Conference in Cary, I will meet with those of you who are interested in starting a writing group, and will share with you the details of what makes a group successful. When I think of the key ingredient, the one thing that distinguishes these groups from many gatherings of writers, I remember my children saying, at bedtime, “Read to me, Mama.”

***

Anna Jean (A. J.) Mayhew’s first novel, The Dry Grass of August, won the 2011 Sir Walter Raleigh Award for Fiction, and is a finalist for the 2012 Book Award from the Southern Independent Booksellers Alliance. A Blackstone Audio book came out in December, and the French translation was published in April. The novel will also be translated into Italian, Turkish, and Norwegian for release in 2013. In February, A. J. was a featured speaker at Southern Voices in Birmingham, AL, along with novelist Scott Turow. Last September, she dined with Governor Beverly Perdue at a gathering to honor North Carolina authors, and is now working on her next novel, Tomorrow’s Bread.

Registration for the 2012 Fall Conference is now open!

Last Updated on Monday, 24 September 2012 07:14
 
Humor Writing as a Metaphor for Something (Probably Chicken) PDF print email
Written by Administrator   
Monday, 17 September 2012 09:06

 

By Shane Ryan, 2012 Fall Conference Faculty, Humor Writing

I don’t know about you, but I’ve always been impressed by essays that begin with a quote from a famous person. If that famous person is dead, even better; dead people have an aura that I’ve always envied. Speaking of which, I apologize for being alive as you read this post. You deserve better. (If I’ve died since writing, neglect the last two sentences and please avenge my death.)

The point is, I love dead people quotes. So when I was tasked with writing an introduction to my humor writing workshop, I thought I’d lead with something from a guy like Benjamin Franklin. He must have had a few thoughts on comedy, right? Who’s funnier than ole Ben Franklin? Remember that time he flew a kite in a lightning storm with a metal key attached? That was classic physical humor; Charlie Chaplin owed him a great debt.

I tried to remember a good Franklin quote, but I was hungry at the time, so my brain just came up with images of roasted chicken sprinkled with salt. I considered turning to Google for help with the quote, but instead I begged my girlfriend to roast a chicken and sprinkle it with salt. It wasn’t easy, but she finally agreed after I started crying. Man, did I feast. I ate the hell out of that chicken. When I was done, I made a miniature chicken from the bones and hung it over my bed so I could remember the meal forever. I named it “Bones,” after a similar creature I made out of a turkey carcass last Thanksgiving. It was such a great experience that I even asked the NCWN people if I could get out of the humor writing seminar and lead one about how to devour a roasted chicken instead. Unfortunately, that topic had already been taken by current U.S. Poet Laureate Natasha Trethewey.

So here I am, back at the keyboard, with nothing to show for myself. But I resolved to start with a quote, so before we go any further, I’m going to make one up from a fake historical figure:

“True humour, my dear, is the fool’s bosom friend, the vicar’s frigid companion, the tyrant’s sworn enemy,
and the psychopath’s ruinous lover.”
—Lord Addison “Barnacles” Balfour, in a letter to his wife, Lady Barnacles, 1594

Barnacles Balfour died only three months later in a Viking raid, a cruel and ironic end when you consider that the Vikings had died out 500 years earlier. And no, I’m sorry, I don’t know what the word “vicar” means either.

You may have noticed that the first 400 words of this essay have been utterly useless. Forgive me, but I was being pointless to make a point—humor is an evanescent, ephemeral ghost of a concept, prone to misinterpretation and disagreement and ultimate irrelevance. Some of you made it through those three paragraphs and thought, “That was the stupidest thing I’ve ever read.” Some of you may have smiled, or even laughed. But rest assured that I, personally, sat here laughing like an insane person while chicken grease ran down my mouth in ecstatic, loathsome rivers. In the end, we’re all correct.

Let me be serious for a moment: This world was designed to be difficult. Why? I don’t know, but I believe in God precisely so I can have somebody to resent for the way things work. Even for a guy like me, who has had a relatively easy twenty-nine years, life has had its rough patches. Yet somewhere else in the world, people are having a really hard time, so I can’t even enjoy my little challenges by indulging in self-pity. Which, again, is very annoying.

Saturday Night Live, legendary just forty years ago, seem stale and even conservative today. Shakespeare, whose tragedies hold up as achingly gorgeous treatises on human frailty, is a writer whose pun-based humor you would want to emulate only if you hoped to get beat up on a city street. Times and attitudes change, and it takes a keen understanding of the zeitgeist to capture what’s funny today.

Humor is diverse; racially, culturally, stylistically. I am not personally a fan of Larry the Cable Guy and his ubiquitous catch phrase, “Git ‘er Done,” but he makes loads of money from people who would mock me for driving a Toyota Prius. His stand-up routine couldn’t be more different from a show like Arrested Development—a wonderful mix of character-driven absurdity, physical comedy, and narrative subversion which became a sort of mainstream cult classic that was canceled after three seasons. And what common threads could be said to exist between the melancholy mid-life-crisis laments of Louis C.K. and the detached wordplay of the late Mitch Hedberg? What binds the biting, racial satire of Dave Chappelle’s sketches and the selfish egotism of Larry David? Each is vastly different, but the world is big, and each has its audience.

And yet, I swear, there is a connection. Difficult as it may be to identify, these comedic fountains rise from a common source. And if there’s a point to my ramblings, it’s that while humor is diverse and ever evolving, there are guiding principles that can help us when we try to be funny. When you learn the rules, it gets a little—not a lot, but a little—easier. The main requirement is that you pay attention to the life that goes on around you. Seriously, that’s it. Just open your eyes, and everything else will follow.

To use an actual quote from a real person, I draw your attention to Tolstoy: “All happy families are alike; each unhappy family is unhappy in its own way.” I’m going to spin that one on its head for a moment, and declare that there are a million ways to be funny, but only one way to fail. If you can’t live through the triumph, tragedy, and even boredom of our world without feeling that persistent thread of humor seeping through the cracks in the façade, undermining and saving us at the same time, then God help you.

And fair warning: God may not help you, because God is funny.

***

Shane Ryan will lead a Humor Writing workshop at the 2012 North Carolina Writers' Network Fall Conference. Shane is a writer for Grantland.com, Paste Magazine, and Carolina Public Press. He has written about sports, music, film, politics, and comedy for a variety of publications, including McSweeneys.net. No matter where he writes, he expends a lot of effort trying to be funny, and has embarrassed himself publicly so many times that he is now considered an expert. His biggest fans include his mother, who thinks he's especially hilarious when asking for money. Shane grew up in Saranac Lake, New York, graduated from Duke University in 2005, lived in Brooklyn for five years, and attended the UNC School of Journalism in 2010. He lives in Carrboro with his wife, and is two months away from turning thirty, which is not funny at all.

Registration for the 2012 Fall Conference is now open.

Last Updated on Monday, 17 September 2012 09:57
 
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White Cross School Blog

White Cross School
The Online Journal of the North Carolina Writers' Network
  • New Call to Action for Members
    From our friends at ARTS North Carolina: The 2013-2015 North Carolina biennium budget has entered the “conference” phase. There are profound differences between the House and the Senate regarding grants...
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    From our friends at ARTS North Carolina: It’s been a busy 24 hours at the General Assembly as the House debated its budget on the floor for eight hours yesterday...
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    Did you know that eleven musicians from western North Carolina have been awarded a National Heritage Fellowship—the country’s greatest honor in the traditional arts? Or that the banjo was introduced...

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Straight from the land of sky. song and story, another dynamic collection--strong and surprising.” --Lee Smith

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Hats Off! to Maren O. Mitchell, author of Beat Chronic Pain, An Insider’s Guide (Line of Sight Press, 2012), who was interviewed by Robin Watts of Regency Hospice in Hiawassee, Georgia, on three half-hour radio programs on WJUL-FM 97.5 and WJRB-FM 95.1 during the Silver Linings Show.

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