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GREENSBORO—Julie Funderburk's debut poety collection, The Door that Always Opens, was published by LSU Press in 2016. Julie will lead the Master Class in Poetry at the North Carolina Writers' Network 2017 Spring Conference on Saturday, April 22, at the University of North Carolina at Greensboro—where Julie once earned her MFA in Creative Writing. 

Registration for Spring Conference is now open.

In Julie's Master Class, "A Poem That Sings," she will work from the premise that poems often tell or suggest stories. Yet, as poet Ellen Bryant Voigt writes in her book of essays The Flexible Lyric, poetry’s “first allegiance must be to music.” Attendees will begin by exploring a series of model poems to discover how they present stories without being burdened by too much narrative weight, so that the poems still sing. Then, when students explore work from the class together, they will focus on the ways that these strategies and structures can provide inspiration for revision.

Those interested in attending the Master Class should submit three poems, along with their current CV, on the same day that they register for the Spring Conference. At least one of the three poems should be narrative. Poems should be saved in a single MS Word document, using single-spaced, 12-point, Times New Roman font, and sent as an attachment to This email address is being protected from spambots. You need JavaScript enabled to view it.. The registrant's name and the title of each poem should appear on the submission. Accepted registrants will also be asked to circulate their drafts to others in the class prior to the conference.

Master class registration is first-come, first-served, and all Master Class applications must be received by Friday, April 7. Each applicant should be ready to handle the intensive instruction and atmosphere of the Master Class.

The NCWN 2017 Spring Conference is a full day of classes on the craft and business of writing, as well as faculty readings, Lunch with an Author, an open mic for conference participants, and the third annual Slush Pile Live! 

Julie Funderburk is the author of The Door that Always Opens, her first full-length collection of poetry from LSU Press (2016). She is a recipient of a North Carolina Arts Council Artist Fellowship and scholarships from the Bread Loaf and Sewanee writers' conferences. Her poetry has appeared in many journals, including 32 Poems, Best New Poets, The Cincinnati Review, Hayden’s Ferry Review, and Ploughshares. She is an assistant professor of creative writing at Queens University in Charlotte, and serves on the Board of Trustees of the North Carolina Writers’ Network.

For full conference details, and to register, click here.

Spring Conference is sponsored in part by The MFA in Creative Writing Program at UNCG, which will provide free parking for Spring Conference registrants in the Oakland Avenue Parking Deck, across Forest Street from the MHRA Building (behind Yum Yum Better Ice Cream and Old Town Draught House). Other sponsors include 88.5 FM WFDD: Public Radio for the Piedmont, The News & Record in Greensboro, and the North Carolina Arts Council.

 

GREENSBORO—Of David Payne’s novel, Ruin Creek, the reviewer for The Dallas Morning News wrote: “I begin with what may seem a bold observation: David Payne is the most gifted American novelist of his generation."

David will lead the Fiction Master Class at the North Carolina Writers' Network 2017 Spring Conference on Saturday, April 22, on the campus of The University of North Carolina at Greensboro. Registration is now open.

In this fiction workshop, participants will begin with a discussion of the writer’s need for psychological self-awareness; or, alternatively, the dangers of “acting out” on the page, using A River Runs Through It as their text. (Everyone should read A River Runs Through It by Norman Maclean.) In the afternoon session, registrants will workshop one another's submissions.

Please submit up to 1,500 sequential words from a single work, along with your current CV in a separate attachment, on the same day that you register for the conference. Submissions should be saved in a single MS Word document, using double-spaced 12-point Times New Roman font, with numbered pages, and sent as an attachment to This email address is being protected from spambots. You need JavaScript enabled to view it.. The title of the work and your name should appear on the submission. The sample you submit will be the work discussed in class, and accepted registrants will be asked to circulate their drafts to others in the class prior to the conference.

Master class registration is first-come, first-served, and all Master Class applications must be received by Friday, April 7. Each applicant should be ready to handle the intensive instruction and atmosphere of the Master Class.

David Payne is The New York Times Notable author of five novels and a 2015 memoir, Barefoot to Avalon, A Brother’s Story. Payne has published in The New York Times, The Washington Post, Libération, and elsewhere. He teaches in the MFA Program at Queens University of Charlotte and gives private workshops in Hillsborough: www.davidpaynebooks.com.

For full conference details, and to register, click here.

The conference features intensive workshops in poetry, fiction, and creative nonfiction, as well as publisher exhibits, "Lunch With an Author," readings, an open mic, and the third annual "Slush Pile Live!" The faculty includes poets Barbara Presnell, Julie Funderburk, and Crystal Simone Smith; fiction writers Steve Cushman and James Tate Hill; and creative nonfiction writers Melissa Delbridge and Lee Zacharias. The keynote speaker is poet Fred Chappell.

Spring Conference is sponsored in part by The MFA in Creative Writing Program at UNCG, which will provide free parking for Spring Conference registrants in the Oakland Avenue Parking Deck, across Forest Street from the MHRA Building (behind Yum Yum Better Ice Cream and Old Town Draught House). Other sponsors include 88.5 FM WFDD: Public Radio for the Piedmont, The News & Record in Greensboro, and the North Carolina Arts Council.

 

WILMINGTON—Joseph Mills of Winston-Salem has won the 2017 Rose Post Creative Nonfiction Competition for his essay, “On Hearing My Daughter Trying to Sing Dixie.” Mills will receive $1,000, and his essay will be considered for publication by Ecotone.

“At turns funny and contemplative, ‘On Hearing . . .’ asks us to see the South in all of its glorious contradiction,” said final judge Garrard Conley, author of the memoir Boy Erased. “For any aspiring essayists out there, this writing is a lesson on tone.”

A faculty member at the University of North Carolina School of the Arts, Mills holds an endowed chair, the Susan Burress Wall Distinguished Professorship in the Humanities, and was recently honored with a 2016-2017 Excellence in Teaching Award. He has published six collections of poetry with Press 53, most recently Exit, Pursued by a Bear, which consists of poems triggered by stage directions in Shakespeare. His book This Miraculous Turning was awarded the North Carolina Roanoke-Chowan Award for Poetry, and his work has been frequently featured on Garrison Keillor’s “The Writer’s Almanac.” With his wife, Danielle Tarmey, he researched and wrote two editions of A Guide to North Carolina’s Wineries. He also edited a book of film criticism, A Century of the Marx Brothers. More information about his work is available at www.josephrobertmills.com.

Beth Browne of Garner won second place for her essay, “Loblolly,” and will receive $300.

“’Loblolly’ is as much about real trees as it is about words,” Conley said. “An intimate portrait of a Southern family whose relationship to land is complicated, ‘Loblolly’ is also about the lyricism of memory and meaning. But what makes this writing so unique is its insistence that style represent real substance.”

 Browne’s work has appeared in Cruising World, Salt Magazine, Walter Magazine, and many other journals. A photo essay appeared in Shadowgraph Quarterly’s Spring 2015 issue. In addition to writing and photography, Browne manages a large farm, home schools her two teenagers, and spends most weekends sailing the North Carolina coast. Her website is www.bethbrownebooks.com.

“Postcards to North Carolina from a Northenmost Island,” by Asheville’s Jessica Jacobs, came in third. Jacobs will receive $200 in prize money.

“Try to find a more precise poetic line than this: ‘Its skull is drydocked in my palm, a dumb boat of bone, ferrying nothing.’ This author's prose is a wonder, and the associative quality of this essay, which charts two very different geographies, makes this essay a treat to read,” Conley said. “To call ‘Postcards’ an essay on place would be to reduce its significance. ‘Postcards’ is, instead, a lesson on how essay can blur the lines between prose and poetry.”

Jessica Jacobs is the author of Pelvis with Distance, a biography-in-poems of Georgia O’Keeffe, which was winner of the New Mexico Book Award in Poetry, an Over the Rainbow selection by the American Library Association, and a finalist for the Julie Suk and Lambda Literary Awards. Her chapbook In Whatever Light Left to Us, a memoir-in-poems, was published by Sibling Rivalry Press in 2016. An avid long-distance runner, Jessica has worked as a rock climbing instructor, bartender, and professor, and now serves as the Associate Editor of Beloit Poetry Journal and faculty for the Sewanee Young Writers' Conference. She lives in Asheville, North Carolina, with her wife, the poet Nickole Brown. More of her work can be found at www.jessicalgjacobs.com.

Sponsored by the North Carolina Writers’ Network and administered by the Department of Creative Writing at UNC-Wilmington, the Rose Post Creative Nonfiction Competition encourages the creation of lasting nonfiction work that is outside the realm of conventional journalism. The contest is open to any legal resident of North Carolina or member of the North Carolina Writers’ Network. This year's contest results were rare because all the finalists are NCWN members and all are North Carolina residents.

Conley’s memoir Boy Erased (Riverhead, 2016), was featured in Buzzfeed, Travel + Leisure, The Los Angeles Times, and many other publications as a must-read book. Megan Daum of The New York Times calls Boy Erased a story written "through the lens...of compassion," and Publisher's Weekly, in a starred review, calls it an "exceptionally well-written memoir." Conley's fiction and nonfiction can be found in Time, Vice, CNN, Buzzfeed, The Virginia Quarterly Review, and many others. He has received scholarships from the Bread Loaf, Sewanee, and Elizabeth Kostova Foundation writers' conferences. He currently lives in Brooklyn.

Ecotone’s mission is to publish and promote the best place-based work being written today. Founded at the University of North Carolina Wilmington in 2005, the award-winning magazine features writing and art that reimagine place, and our authors interpret this charge expansively. An ecotone is a transition zone between two adjacent ecological communities, containing the characteristic species of each. It is therefore a place of danger or opportunity, a testing ground. The magazine explores the ecotones between landscapes, literary genres, scientific and artistic disciplines, modes of thought.

Rose Post worked for the Salisbury Post for fifty-six years as a reporter, feature writer, and columnist. She won numerous state and national awards for her writing and earned the NC Press Women's top annual award four times. She received the O. Henry Award from the Associated Press three times, the Pete Ivey Award, and the School Bell Award for educational coverage. Nationally, she won the 1989 Ernie Pyle Award, the Scripps Howard Foundation National Journalism Award for human-interest writing, and the 1994 National Society of Newspaper Columnists' Award.

The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.

 

 
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