- Written by Administrator
- Category: Network News
- Published: 21 April 2015
GREENVILLE, NC—Brad Field of Wilmington is the winner of the 2015 Doris Betts Fiction Prize for his story “Achmed’s Lesson.” Field will receive a prize of $250 from the North Carolina Writers' Network, and his story will be published in the North Carolina Literary Review’s 25th issue in 2016.
A playwright, drama anthology editor, and retired university English professor, having taught at Wayne State University in Detroit for the majority of his career, Brad Field lives in Wilmington, then spends summers on Lake Michigan.
NCLR Fiction Editor Liza Wieland selected Field’s story from ten finalists, saying, “I admire 'Achmed's Lesson' for its cultural critique certainly, but also for the deceptive simplicity of the writing. To me, it read like the best sort of translation. The meaning is crystal clear, but below the surface of the narration, the original simmers in subtle invitation. I think it's quite remarkable to capture this quality in a story written in English; I felt both comfortably at home and transported to a world I didn't—but wanted to—know.”
Wieland also selected “Eminent Domain” by Kathryn Etters Lovatt for second place and publication, applying Faulkner’s famous lines, “‘The past is never dead. It’s not even past.’ ‘Eminent Domain’ illustrates the truth of this statement through deft description and the painful but compelling resilience of the first person narrator, Amy. The ending is the very definition of bittersweet, and will stay in my mind for a long time.” Lovatt, who has a vacation home in Southport, but lives most of the year in Camden, SC, is also a former winner and a finalist in previous Betts competitions.
A record 121 stories were submitted to this year’s competition. The other finalists are Heather Adams of Raleigh for “White Iris,” Debra Madaris Efird of Harrisburg for “Palette of Love,” Lana Hendershott of Hendersonville for “Kind of Crazy,” Debra Lee of Rocky Mount for “Dale Earnhardt and the Rapture,” Ian Oeschger of Wilmington for “Lowcountry Boil,” Denise Sherman of Raleigh for “The Color Wheel,” Robert Wallace of Durham for “The Disobedience of Love,” and Jude Whelchel of Asheville for “Body Talk Soft, Body Talk Loud.”
The annual Doris Betts Fiction Prize honors the late novelist and short-story writer Doris Betts, and is sponsored by the non-profit North Carolina Writers’ Network, the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.
Published since 1992 at East Carolina University, the North Carolina Literary Review has won numerous awards and citations, most recently the 2014 Phoenix Award for Significant Editorial Achievement from the Council of Editors of Learned Journals. Fiction Editor Liza Wieland is the author of three collections of short stories and four novels, including Land of Enchantment, just out this year.
A two-year subscription to NCLR will include the 2015 issue, featuring the winner from the 2014 Betts competition, as well as the 2016 issue, featuring Field’s winning story from this year’s competition. Find subscription information at http://www.nclr.ecu.edu/subscriptions.
- Written by Administrator
- Category: Network News
- Published: 20 April 2015
Did you know the North Carolina Writers’ Network offers an ongoing critiquing and editing service for its members? Through this program, Network writers have the opportunity to open a dialogue about their work with established writers and editors of varying backgrounds and areas of expertise.
Whether you write fiction or essays, poetry or travelogues, there is a critiquer waiting to help you and your writing take that next step. Check out some recent testimonials:
"It was unbelievably helpful . . . I was totally impressed, and it was well worth the price. You have a very satisfied member."
-NCWN member Reid Wilson
"I have been working on my novel for quite some time and really wondered if I was on the right track. Therefore, I decided it would be most helpful to send a few pages just to see what someone thought about it. I must say, I am really glad I did, as Mr. Manchester's words greatly inspired me to continue on. I will likely have a few questions after reading the critique/corrections in its entirety, and I was glad Mr. Manchester gave me his e-mail in which to ask them. "
-NCWN member Jennifer Bower
"I’ve never been edited as thoroughly and with as much consideration as Linda (Hobson) showed toward my story. Her micro edits were precise, and her macro edits found things inside the story that even I didn’t realize were there. She wrote all over every page—an incredible amount of work for what turned out to be a very reasonable fee....I found her edits and critique to be spot-on: demanding more from me as a writer, while also engaging with the story so completely that I felt like she was really invested in its eventual success. That’s the very definition of a great editor, isn’t it?"
-Anonymous NCWN member
So, how's this work? Here's the rundown.
A base fee of $30 must be included in the total amount paid to the Network.
- Prose/Poetry/Plays/Screenplays (5-page minimum):
5-50 pages - $3/page; each page thereafter, $2/page
Poems must be single-spaced and only one poem per page is allowed.
- A Manuscript Consultation with your critiquer may be scheduled after the initial critique is complete. The fee for a post-critique consultation is $50/hour, with no base fee.
All prose manuscripts should be double-spaced, single-sided, with 1-inch margins and in a 12-point font. Poetry must be single-spaced with a limit of only one poem per page. No fancy fonts, please.
Manuscripts should NOT be bound when submitted.
Please indicate your first preference plus two back-ups for a critiquer. Otherwise, we will select an appropriate critiquer based on availability.
Please send your manuscript, along with payment (checks must be made payable to the North Carolina Writers' Network) and a self-addressed envelope with postage sufficient enough for the critiquer to return your manuscript, to:
NCWN Critiquing Service
P.O. Box 21591
Winston-Salem, NC 27120
The critiquer will return the manuscript with comments directly to you.
For the complete list of critiquers, click here.