Network News
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Written by Administrator
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Tuesday, 05 February 2013 00:00 |
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GREENSBORO, NC—Pre-registration for the 2013 North Carolina Writers' Network's annual Spring Conference is now closed, but attendees can still register on-site Saturday, April 13, at 8:30 a.m., at the University of North Carolina at Greensboro.
The 2013 Spring Conference will move into a new home in UNCG’s Moore Humanities and Research Administration (MHRA) Building. Located at the corner of Spring Garden and Forest Streets, the MHRA Building offers easier access to those coming from off-campus.
In addition, UNCG’s Creative Writing Program—a co-sponsor of the Spring Conference—will provide free parking for registrants in the adjacent Oakland Avenue Parking Deck.
The NCWN Spring Conference draws writers, at all levels of skill and experience, from across North Carolina and beyond for a full day of workshops in fiction, creative nonfiction, poetry, and the business side of writing. Attendees will be treated to faculty readings and can share their own work at the open-mic reading. They also can sign up for “Lunch with an Author,” their chance to engage in informal conversation with accomplished writers.
Conference-goers this year will need to pre-register for “Lunch with an Author,” as there will be no on-site registration available for this conference offering. Food will be provided, so that participants can spend less time waiting in line, and more time talking with the author of their choice. (Spaces in “Lunch with an Author” are limited, and are first-come, first-served.)
Courses include two all-day, two-session workshops: “Animating Fiction” with Lee Zacharias, and a creative nonfiction workshop, “Writing Personal Essays and Memoir.” One-session course offerings will be led by John McNally and Lynn York (fiction), Scott Huler and Cynthia Nearman (creative nonfiction), and Carolyn Beard Whitlow and John Rybicki (poetry). Scott Nicholson will teach a class on self-publishing e-books, while Terry L. Kennedy and Ross White will lead a workshop for “Authors as Entrepreneurs.”
In the afternoon, a Publishing Panel including Stephen Kirk of John F. Blair, Publisher, Robin Miura of Carolina Wren Press, and Kevin Morgan Watson of Press 53, will answer questions about what they look for in a manuscript and the evolving realities of 21st Century publishing. After looking ahead to the future of books, Andrew Saulters of Greensboro’s Unicorn Press will close the day with a look back, leading a hands-on demonstration of traditional bookbinding, so that conference registrants can turn their well-crafted words into well-crafted objects.
Registration is available online at www.ncwriters.org or by calling 336-293-8844.
The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org. |
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Last Updated on Monday, 15 April 2013 04:53 |
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Written by Administrator
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Friday, 23 November 2012 00:00 |
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Did you know the North Carolina Writers’ Network offers an ongoing critiquing and editing service for its members? Through this program, Network writers have the opportunity to open a dialogue about their work with established writers and editors of varying backgrounds and areas of expertise.
Whether you write fiction or essays, poetry or travelogues, there is a critiquer waiting to help you and your writing take that next step. Check out some recent testimonials:
"It was unbelievably helpful . . . I was totally impressed, and it was well worth the price. You have a very satisfied member." -NCWN member Reid Wilson
"I have been working on my novel for quite some time and really wondered if I was on the right track. Therefore, I decided it would be most helpful to send a few pages just to see what someone thought about it. I must say, I am really glad I did, as Mr. Manchester's words greatly inspired me to continue on. I will likely have a few questions after reading the critique/corrections in its entirety, and I was glad Mr. Manchester gave me his e-mail in which to ask them. " -NCWN member Jennifer Bower
"I’ve never been edited as thoroughly and with as much consideration as Linda (Hobson) showed toward my story. Her micro edits were precise, and her macro edits found things inside the story that even I didn’t realize were there. She wrote all over every page—an incredible amount of work for what turned out to be a very reasonable fee....I found her edits and critique to be spot-on: demanding more from me as a writer, while also engaging with the story so completely that I felt like she was really invested in its eventual success. That’s the very definition of a great editor, isn’t it?" -Anonymous NCWN member
So, how's this work? Here's the rundown.
Fees
A base fee of $30 must be included in the total amount paid to the Network.
Instructions
All manuscripts should be double-spaced, single-sided, with 1-inch margins and in a 12-point font. Poetry must be single-spaced with a limit of only one poem per page. No fancy fonts, please.
Manuscripts should NOT be bound when submitted.
Please indicate your first preference plus two back-ups for a critiquer. Otherwise, we will select an appropriate critiquer based on availability.
Please send your manuscript, along with payment (checks must be made payable to the North Carolina Writers' Network) and a self-addressed envelope with postage sufficient enough for the critiquer to return your manuscript, to:
NCWN Critiquing Service P.O. Box 21591 Winston-Salem, NC 27120
The critiquer will return the manuscript with comments directly to you.
If you have any questions or wish to schedule a consultation, please call us at 336.293.8844 or e-mail
This e-mail address is being protected from spambots. You need JavaScript enabled to view it
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Critiquers
For the complete list of critiquers, click here. |
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Last Updated on Tuesday, 26 March 2013 12:29 |
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Written by Administrator
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Friday, 09 November 2012 00:00 |
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Writers from across the state and beyond can soon submit their work to one or more of the four contests sponsored by the North Carolina Writers’ Network.
The Rose Post Creative Nonfiction Competition will accept submissions between November 15 and January 17; all entries must be postmarked by January 17. The Rose Post contest encourages the creation of lasting nonfiction work that is outside the realm of conventional journalism and has relevance to North Carolinians. Subjects may include traditional categories, such as reviews, travel articles, profiles, or interviews; place/history pieces; or culture criticism. The Final Judge is Shawna Kenney, author of the award-winning memoir, I Was a Teenage Dominatrix. The first-, second-, and third-place entries will receive recognition and a cash prize, and the winning entry will be considered for publication by Southern Cultures magazine.
The Thomas Wolfe Fiction Prize will accept submissions between December 1 and the postmark deadline of January 30. This contest honors internationally celebrated North Carolina novelist Thomas Wolfe. The Final Judge will be Ruth Moose, author of the short story collection Neighbors and Other Strangers. The winner receives $1,000 and possible publication in The Thomas Wolfe Review.
The submission period for The Doris Betts Fiction Prize runs from January 1 to February 15. All entries must be postmarked by February 15. The Betts Prize awards the first-prize winner $250 and publication in the North Carolina Literary Review. The competition is open to any writer who is a legal resident of North Carolina or a member of the Network. North Carolina Literary Review subscribers with North Carolina connections (lives or has lived in North Carolina) are also eligible.
The Randall Jarrell Poetry Competition accepts one-poem submissions between January 15 and its March 1 postmark deadline. The contest awards the winner $200, publication in storySouth, and an invitation to read his or her poetry at the University of North Carolina at Greensboro’s Founders Day activities. This competition is open to any writer who is a legal resident of North Carolina or a member of the Network.
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Last Updated on Friday, 22 February 2013 17:27 |
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Written by Administrator
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Wednesday, 31 October 2012 00:00 |
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CARY, NC—The 2012 North Carolina Writers' Network Fall Conference runs November 2-4 at the Embassy Suites in Cary, in the heart of North Carolina's Triangle Area. Pre-registration is now closed. But don't worry! Walk-in registration will be available beginning Friday, November 2, at 5:00 pm.
The annual Fall Conference is North Carolina's premier literary event and one of the largest and most inclusive writers’ conferences in the nation. Held in a different location each year, the Fall Conference offers a prestigious collection of literary talent and a weekend packed with panels, workshops, and readings.
Edith Pearlman will give the Keynote Address. Pearlman's collection of short stories, Binocular Vision, was published by North Carolina's Lookout Books in 2011 and won the 2011 National Book Critics Circle Award for fiction and was a Finalist for the National Book Award, among many other honors. Edith will discuss how a lifetime of work went into her "overnight" success.
The Fall Conference offers more than twenty-five workshops in creative nonfiction, fiction, and poetry, as well as in other aspects of the craft such as writing for children, publishing, and how to wow at an open mic. Registrants can also choose from two Master Classes: Creative Nonfiction (led by Elaine Neil Orr) and Poetry (led by 2012 North Carolina Literary Hall of Fame inductee Kathryn Stripling Byer).
Participants at the conference may also register for one-on-one sessions with a publishing or bookselling professional. The Manuscript Mart provides writers with the opportunity to pitch their manuscripts and get feedback from an editor or agent with a leading publisher or literary agency. The Critique Service provides writers with in-depth literary critiques of fiction, nonfiction, poetry, and screenplays from a seasoned writer. And the Marketing Mart, began in 2011, provides writers with an opportunity to create or refine an effective plan to pitch, promote, and sell their current, upcoming, or proposed books. Registration for the Critique Service and all Marts and Master Classes closed October 26.
“Our most important offering,” said NCWN Executive Director Ed Southern, “is the chance for writers to get to know one another and trade advice, ideas, and encouragement. We have a number of writers who come to the conference year after year, first as registrants and then—as their careers progress—as instructors.”
More than a dozen exhibitors will peddle their wares around the main conference hall, and Raleigh's Quail Ridge Books & Music will sell books on-site. Saturday's night's entertainment will not only draw from the Triangle's rich and diverse population but promises to be a wailin' good time (in 2011, attendees were literally dancing in the aisles!).
Still planning to attend? Walk-in registration opens Friday, November 2 at 5:00 pm. For more information visit www.ncwriters.org.
The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. |
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Last Updated on Wednesday, 31 October 2012 07:12 |
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Written by Administrator
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Monday, 29 October 2012 08:08 |
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By Eleanora E. Tate, Faculty, 2012 Fall Conference Faculty, “Through the Eyes of a Child: Writing for Young People”
After nearly fifty years of being a children’s short story and book-length manuscript critique and workshop leader at retreats, residencies, conferences, and in teaching I’ve read many outstanding manuscripts for children.
Almost every one yearned, hungered, craved, even, to become a published children’s writer. It’s this kind of “fire in the belly” longing that unites all writers, regardless of the genre. A writer “shows” when s/he creates sufficient action, sensory details, description and dialogue in a scene to heighten reader’s emotions, at least for the moment. Such imagery allows the reader to “see”—perhaps emotionally feel, hear, smell, even taste—what happens so vividly that the scene becomes real. The writer produces what must be shown.
I’m proud to be a children’s book author. It ain’t easy. It takes just as much skill and perseverance. It takes just as much understanding and application of character development, setting, dialogue, voice, conflict, plot, point of view—i.e., craft—to write a compelling picture book or middle grade or YA manuscript as it does to write a barnstormer for adults. Maybe even more.
***
Eleanora E. Tate will lead a workshop titled “Through the Eyes of a Child: Writing for Young People” at the NCWN 2012 Fall Conference. Tate is a folklorist, short story writer, journalist, and author. Her children's books have won Parents Choice Awards, are ABA Pick of the Lists, are Notable Children's Trade Books, and one is a Child Study Committee Children's Book of the Year. Two are audio books and another is an award-winning television film. A former NCWN board member, a veteran writing workshop conductor, and a seminar leader over the years for the North Carolina Center for the Advancement of Teaching, among others, her newest book is Celeste's Harlem Renaissance (2007). Ms. Tate is an instructor with the Institute of Children's Literature, and on the faculty of Hamline University's Master's Degree-seeking low-residency program “Writing for Children and Young Adults” in St. Paul, Minnesota.
Pre-registration for the NCWN 2012 Fall Conference closes at 11:59 pm on Monday, October 29. On-site registration will be available at the conference. |
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Last Updated on Monday, 29 October 2012 08:19 |
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White Cross School Blog
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White Cross School
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| The Online Journal of the North Carolina Writers' Network |
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Hat's Off!
Hats Off! to Bob Mustin, whose memoir piece "The Man IN The Moon" appears in Ray's Road Review - Spring 2013 Issue. |
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