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The North Carolina Writers' Network 2014 Fall Conference offers something for almost every writer, at any level of skill or experience.

Your best route to getting the most out of the Network’s 2014 Fall Conference depends on where you are right now as a writer, where you want to go as a writer, and how you want to get from here to there.

We hope these suggestions will help you find the offerings you need the most.

 

ARE YOU A NOVICE WRITER?
Are you a newcomer to the literary neighborhood? Have you just begun to write creatively, with the goal of getting published? Have you submitted only a few pieces so far, or nothing at all? Is this your first writers’ conference? Are you still not quite ready to think of yourself as a writer?

Don’t be shy; every single person at the Fall Conference either is or was a novice at one point, too.

As a novice, though, you probably ought to concentrate on your craft, honing your work to its finest quality, before you worry too much about getting it published.

In fact, get a head start before you come to the conference. Join the Network, if you haven’t already, and explore our website—features, articles, back issues of our newsletters—to learn more about the writing business.

For a thorough introduction to the business side, from beginning to end, we especially recommend this pair of articles: one on publishing by Betsy Thorpe (who’ll co-lead a workshop on “The Art of the Pitch,” and take part in the Fall Conference Critique Service), and one on bookselling by NCWN trustee Nicki Leone.

Some basic research before the conference will save you some time and mental energy, so you and your fellow registrants can get the most value out of your workshops.

Some good workshop options for novice writers include Chantel Acevedo’s “All Shapes and Sizes: A Workshop on Novel Structure”; “Poetry 101” with Anthony S. Abbott; and “First Impressions in the First Few Pages” with Sarah Creech.

Your choices may vary depending on your preferred genre, but we encourage you to use the Fall Conference to dabble in other genres. You may surprise yourself.

And don’t forget to sign up for the Open Mic Readings on Saturday night. You need the practice, and we want to hear you.

 

 

ARE YOU AN EMERGING WRITER?
Do you have a few publications to your credit, or an established track record of submissions? Are you a familiar face at writers’ gatherings? Are you working on a book-length project?

You may be ready to apply to one of the Master Classes, which admit only the first 16 qualified registrants to each class, and will take up all three of your Saturday workshop sessions.

Or, you may want to mix some of the craft workshops—maybe “Poetry and Time” with Julie Funderburk; “Making Their Stories Your Own” with Rebecca McClanahan; or Zelda Lockhart’s “The Mirror Exercise: Producing a Whole Short Work in Less Than an Hour”—with some of the appropriate business-of-writing workshops like Sunday’s panel discussion on “The Many Paths to Publication” with Kim Boykin, John Hartness, and Karon Luddy.

Consider sending in a short story or several of your poems to our Critique Service, and let an experienced editor tell you what works, and what doesn’t.

And don’t forget to sign up for the Open Mic Readings on Saturday night. You need the practice, and we want to hear you.

 

ARE YOU AN EXPERIENCED WRITER?
Have you finished a book-length manuscript (or at least a first draft), or do you have enough poems to think about a collection?

You may still want to apply for one of the three Master ClassesCreative Nonfiction with Cynthia Lewis, Fiction with Aaron Gwyn, or Poetry with Morri Creech—if you think you need a little more know-how to make your manuscript the best it can be.

Or you may be ready to concentrate on the “business of writing” workshops: “The Art of the Pitch” with Betsy Thorpe and Carin Siegfried; “Crafting Your Message: Beginning an Interactive Publicity Campaign” with Priscilla Goudreau-Santos; “The Many Paths to Publication” panel discussion; maybe even “Creating a Poetry Community” with Scott Owens and Jonathan K. Rice.

You should sign up for the Manuscript Mart, and sit down with an agent who can tell you what works, what doesn’t, and what different publishers are looking for.

And don’t forget to sign up for the Open Mic Readings on Saturday night. You need the practice, and we want to hear you.

 

ARE YOU AN AUTHOR?
Do you have a book out, or on its way? Are you coming to the conference mostly to brag?

Then, by all means, brag away! We want you to. We hope we helped you along the way. Drop off 5 copies of your published book at the registration table, so the Network can sell them for you on consignment during the conference.

Sign up for whichever workshops interest you. Have fun. See old friends. Make new ones. Be nice to those novice writers, since you were there once yourself.

Register for the Marketing Mart, so you can get some tips on how to find readers for your book (a job that’s falling to authors more and more these days). Come to the Brilliant at Breakfast panel discussions to learn more about how writers are contributing to their communities, and what the latest trends in the book
business are.

And don’t forget to sign up for the Open Mic Readings on Saturday night. You need the practice, and we want to hear you.

Registration for the North Carolina Writers' Network 2014 Fall Conference is now open.

 

 
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