Spring Conference
Spring Conference 2005 was held at Peace College in Raleigh, NC.
The conference is over, but we have
left this conference information on the site so that you can refer to it as a model
of what our Spring Conference is like.
Session I Classes
Saturday, May 21, 9:00-11:00 am, Flowe Hall
FICTION - When Your Characters Get Sick, with Tommy Hays My most recent
novel, The Pleasure Was Mine, is in part about a woman with Alzheimer's
and her family's struggle to cope. The novel was inspired by my own
family's struggle with my father's Alzheimer's. I actually started out
writing a memoir about my father's decline, but after about a year and
almost three hundred pages, I found myself so weighed down and depressed
by the tedium of the truth, that I dropped the memoir and began to write
a novel. I invented characters and situations, while at the same time, I
used what I'd learned about Alzheimer's to inform the writing. The
structure of the novel gave me an enabling distance. And in the end I
think I embodied my family's emotional struggles more successfully than
I had with the memoir. This class will look at how we can write about
illness in such a way that we don't make ourselves sick.
POETRY - Inspiration as a Poetic Art, with Lavonne Adams What makes a
poem inspirational? As poets, how can we create work that, in sharing
our most profound insights, will prove to be inspirational to our
readers? What are the pitfalls of this type of poetry? In this session,
we will endeavor to answer these questions by examining an array of
poems that deal with topics ranging from love to spirituality. We'll
then share poems, workshop-style, by participants.
CROSS GENRE - The Healing Power of Words, with Maureen Ryan Griffin
What benefits can writing provide-physically, mentally, spiritually? Are
some ways of writing more beneficial than others? And is it possible to
create quality literary work as we heal? In this workshop that
incorporates Dr. James Pennebaker's ground-breaking ideas, we'll discuss
and implement ways to use writing as a transformational tool. And, if
you're looking, you just may find the genesis of new poetry, creative
non-fiction, and/or fiction. Warning: Laughter likely. Inspiration
guaranteed.
CROSS GENRE - Find Your Natural Style, with Carol Shumate Do you think
out loud? Do you like to live spontaneously? Are you detail-oriented?
Answers to questions like these can help you discover your innate style
of expression. This experiential workshop uses the Myers-Briggs Type
Indicator to identify participants' natural writing styles. It uses
type-related exercises to shine light on your blind spots, showing you
that you have more to write about than you know. A previous participant
said this technique offers "an experience that broadens and deepens the
nature of insight itself." Participants should arrive knowing their
four-letter type. To find it, they can take an online quiz at
(http://www.humanmetrics.com/cgi-win/JTypes2.asp), or they may take the
full-length version by contacting Dr. Shumate at: Paraphrase@nc.rr.com.
CROSS GENRE - Writing From Our Emotional Core, with
Darnell Arnoult How
can writing a poem help you write a better novel? How can you use the
idea for a short story to spawn a novel? Where do you go when you hit a
wall with your writing? Why do some writing projects seem to have more
energy than others? What should you do when the energy fades? One of
the great lessons we can learn as writers is that we almost always write
about the same things over and over. Not always recognizably the same
characters, or the same place, or the same plot, but we are driven by
the same passions and questions, the same obsessions and experience, the
same vein of mineral ore to return to the page over and over again. If
used as a reservoir, the emotional core is a resource for countless
poems, stories, memoir pieces, and novels. Notice my use of plurals. In
this class we will use a variety of exercises and assignments to mine
our personal mother lodes, identifying and working the veins to extract
the ore we possess by simple virtue of our experience, curiosities,
knowledge, and eccentricities. And we will explore how writing across
genres may help us become better and more prolific writers in our genres
of choice. Our goal is for you to go home with some understanding of
your natural material and enough pay dirt to keep you writing for a long
time to come. Bring pencil and paper!
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