|
Photo: Wilson Library, UNC-CH
Journalist, author, world traveler, sportsman, and syndicated columnist Robert Chester Ruark was born in Wilmington on December 29, 1915. He started college at age 15 at the University of North Carolina, graduating with an A.B. in journalism in 1935. He worked as a reporter for the Hamlet News Messenger and later transferred to the Sanford Herald. During the next few years, Ruark worked as an accountant with the Works Progress Administration in Washington, D.C., enlisted as an ordinary seaman, and worked at the Washington Post and the Star before settling down at the Washington Daily News. In 1938, he married Virginia Webb, a Washington interior decorator.
During World War II, Ruark joined the Navy as a gunnery officer and later became a press censor in the Pacific. He returned to the Washington Daily News in 1945, where his syndicated column made him a household name and earned him the then princely sum of $40,000 a year. In his column, Ruark revealed a gift for expressing aversion amusingly, often in a facetiously ungrammatical style. He aimed his stinging wit at psychiatrists, Southern cooking, army generals, the state of Texas, progressive schools, scheming women, and other pet peeves. His sharpest assaults were collected in two books, I Didn’t Know It Was Loaded (1948) and One for the Road (1949).
During this time he also began writing fiction. With his first novel, Grenadine Etching (1947), he lampooned historical romances that were all the rage at the time. It was followed by Grenadine’s Spawn (1952). He also published articles regularly in the Saturday Evening Post, Colliers, Esquire, and Field & Stream.
After 1950, Ruark began spending time in Africa, publishing Horn of the Hunter: The Story of an African Hunt (1953), about an African safari, and Something of Value (1955). Based on the Mau-Mau uprisings against British colonialists, this latter book took its title from an old Basuto proverb: "If a man does away with his traditional way of living and throws away his good customs, he had better first make certain that he has something of value to replace them." The book was a major success, earning the author more than a million dollars from royalties and the film rights.
Some critics disparaged Ruark as a Hemingway imitator, and some readers found the violence of his African novels shocking, but his writing easily stands on its own merits. For years he wrote a regular monthly column in Field & Stream entitled "The Old Man and The Boy," in which he recounted his experiences growing up on the North Carolina coast in and around Southport under the tender guidance of his grandfather, who taught him the art of hunting, fishing, and training dogs. These columns were subsequently collected in two books, The Old Man and the Boy (1957) and The Old Man’s Boy Grows Older (1961), which chronicled the boyhood lessons learned-integrity, compassion, tolerance, and a deep and abiding love for the outdoors.
After visiting North Carolina in 1957, Ruark settled permanently in Spain. Three more books followed. Poor No More (1959) was an embittered rags-to-riches saga set in the U.S. and Europe. It was followed in 1962 by Uhuru, the sequel to Something of Value. Published shortly after his death, his last book, The Honey Badger (1965), concerned a North Carolina writer torn between work and women. Ruark died suddenly in London in 1965 and is buried in Palamos, north of Barcelona.
from
The Old Man and the Boy
Copyright ©1953, 1954, 1955, 1956, 1957 by Robert C. Ruark
Reprinted by permission of Henry Holt & Co., LLC.
|
"The Pipes of Pan"
The first promise of summer was always an exciting thing to a boy - the spring winds eased and the sun burned away the April rains, the green pushed softly up and all the smells began. Mornings before breakfast were delightfully cool and breezy, and bred a restless excitement that made you want to caper barefoot on the dew-wet grass.
The smells were something. Down.by the creek the dogtooth violets pushed up through the moss. The heavy tuberosy smell of the yellow jasmine filled the countryside, and the dogwood trees were white and pink with delicate bloom. In the orchards the early peaches and plums were breaking into blossom, adding their scents to the wild ones. The first tame flowers were popping out into the warmth, competing with the wild violets and the Johnny-jump-ups. I used to think that heaven would smell like this - cool and moist and very delicately fragrant.
You took to the woods then, not as a hunter or a fisherman, but as a naturalist. The Old Man was very firm about that.
"You’re a bloodthirsty savage," he said, "like all boys are bloodthirsty savages. But there’s a heap more to it than killing. Seeing the whole world come alive again after a long winter’s nap and a wild, wet spring is more fun, ’specially as you grow older, than all the shootin’ and fishin’ there is. And I never was able to explain it, but the critters seem to notice this too. You’ll see how tame everything is this time of the year, when it’s wilder’n a buck rabbit in the shootin’ season."
Maybe it seems a little dull today, but we used to go berry picking, after the blackberries had turned from green to red to purple-black, glistening on their thorny vines, and found it exciting. There were so many things to see and hear in the spring when you took a pail and went out berrying, to come home tired, with a crick in your back and your fingers and lips dyed purple from the juicy berries. There were birds around that I do not seem to see so often any more - brilliant bluebirds, which came early in the spring and went away later in the summer. There were lots and lots of the big, fierce-looking redheaded woodpeckers; lots of what we called yellowhammers, another species of peckerwood known as flicker; the big cuckoos we called rain crows; the carnivorous shrikes with the bandit’s velvet masks across their cold robbers’ eyes; and hordes of the big, brilliant, raucously screaming blue jays.
The wet, plowed fields were crowded with teams of killdeers and the dainty-walking titlarks, racing along like pacing horses. The bobolinks were beginning to sway on the ends of high weeds, the stalks bending under their negligible weight. Soon the Baltimore orioles would be along, filling the air with sounds like the clinking of coins. The big cardinals were patches of blood against the dark green of the pines and cedars, and the scarlet tanagers darted like air-borne snakes.
When I think of it now, I think of it in terms of sounds and smells rather than sights. The catbirds quarreled in the low bushes around the house, and the big, fat, sassy old mocker that lived in the magnolia mimicked the catbirds. The doves cooed sadly from a great distance, and the quail called from the brushy cover at the edge of the cultivation. They came marching boldly into the strawberry patches, not in coveys but in pairs, walking through the back yard as if they owned it.
The killdeers wheeled and dipped in clouds over the wet fields, the skies filled with the mournful kill-dee, kill-dee, and the meadowlarks sang in the fields, and out of the wet places came the wild, sweet song of the woodcock. The crows and the jays raised general hell with everything, including the spring, and you could hear the rain crows’ hollow tonk from some hidden position in a tall pine, and the solid knock of the woodpeckers, and the sweet chirrup of the little bluebirds.
This was the time of the year when the boys rushed out of school to swim naked in the creek at recess, and when it seemed impossible not to cut classes. This was the time of the bellyache from eating berries that had not completely ripened, from experimenting with stone-hard green peaches; and this also was the time of the lavish use of castor oil and calomel. It was impossible to concentrate in school, for the drowsy hum of June was just over the hill. Hence this was the time that boys were kept after school for throwing spitballs and making paper airplanes and dipping pigtails into inkpots. Summer vacation was yearned for by the teachers even more eagerly than it was craved by the students. Marks dropped terribly, and discipline teetered on the ragged edge of anarchy.
The Old Man said he reckoned the whole world went a little crazy at this time of the year, and he told me if I listened real close I could hear the piping of some old pagan god named Pan, who was half billy goat, away off in the wood. I told the Old Man that if Pan was anything like my billy goat I would just as lief have nothing to do with him.
"Be that as it may," the Old Man said, "that wood back there is creeping with all sorts of forest gods and spirits right now, and if we went and set quiet I ain’t so sure but what we might see some. Hear ’em, anyhow."
The forest he mentioned was located back of the cow lot, and it was bounded by a big field of sedge where my pet covey of quail lived, and by a gully in which my secret interlocking caves were built, and by a big pond in which the diedappers swam and dived, and by a big soybean field that was full of doves in the fall. The forest covered about six acres, and was composed of towering pines and twisty live oaks and dogwood trees. Its floor was clean and mostly free of brush, a slippery floor of pine needles and jaunty wild flowers.
The Old Man and I spent a lot of time back there. We had to remodel some of the caves, which meant we needed fresh pine saplings for the front and some fresh beams under the heavy sod roofs, so some woodcutting was in order. It takes a lot of work to keep a cave in good shape, especially when there are half a dozen connected by long tunnels. The reason we needed so many caves was that I was then chieftain of a robber band, and in watermelon season the robbers needed plenty of sudden sanctuary.
Sometimes, when we got tired of working on the caves, the Old Man and I would sit down under a tree and lean back against the bole. He would light his pipe and tell me all sorts of wild tales about the Druids, who lived in trees, and the first Britons, who dug enormous caves called dene holes in the Kentish countryside in England, and about the bad spirits that lived in the Black Forest in Germany, and about the old pagan gods like Pan, who, I gathered, was a pretty fast fellow with the girls.
The Old Man had been near about everywhere, and I guess he had read just about everything, because anything I remember today I remember from what he told me. I always got pretty high grades in geography, because if they asked what country Kent was a county of, like New Hanover or Brunswick County in my state, I could always say "England," on account of the dene holes. I understood what a dene hole was because the Old Man and I had just dug us one.
We saw a lot of interesting things, just sitting quiet or walking carefully. One time I saw a rain crow, one of those big cuckoos, chase a dove off a nest and settle down in it herself. I went back the next day and shinnied up the tree, and sure enough, there was one great big egg laid in the clutch of smaller dove’s eggs.
We saw the squirrels fighting and chasing each other through the trees, and once I saw two squirrels breeding. The rabbits hopped around softly and unafraid of us. Once a deer and a fawn wa1ked right up to us and stared for a long time, and then the old lady sort of nodded to junior and they went off not running, not jumping, just sort of frisking, with junior kicking up his heels.
I never did get to see Pan or any of the other strange people that live in the woods, but I swear I heard noises that I couldn’t hook up to bird or frog or animal or insect, and soft rustlings that proved to be nothing at all when I went to look, my skin goose-pimpled and my neck hair lifting like a worried dog’s when he hears a sound he can’t quite figger.
What I did get was the feeling that there were spirits who lived in trees, and that there was something very special about an ancient wood, and that there was some peculiar magic about the late spring that has been justified by the behavior of beasts and people down through the ages. (This I learned later from books.)
There had been some talk among the grown-ups at the time about sending me off to the mountains to a boys’ camp, and I was hot for it until the spring got soft and sweet and started to beckon toward the summer, and the Old Man and I made our daily pilgrimages past the cow lot and into the secret woods. But in May I would begin to weaken on this camp thing, and by June the camps had lost a customer. I knew when I had it good, because the Old Man always used to say that a smart feller knew when he was well off and was a goldarned fool to change it for something he didn’t know about.
Then, too, you understand, I was too busy to go to camp. The Old Man and I had a lot of projects together, apart from the baseball and the swimming with the other boys. We had to get the boat in shape for the summer’s fishing, and there was a puppy litter about due. We wanted to do some work on the duck blind, of course, and there was this billy goat to discipline - I guess you remember we failed on that one. And then there was fishing, of course, salt-water for blackfish and speckled trout and croakers, and fresh-water for bass, and by the time we got done fishing it would be September and the tides would swell, and then there would be the marsh hens jumping creakily out of the flooded marshes.
When we finished with the marsh hens, the bluefish would be along; and when we got through with the bluefish and the puppy drum, then the quail season would be on us, and before you knew it, Christmas holidays had come and gone.
We were sitting quietly in the secret forest one day, waiting to hear some word from the Old Man’s friend, Pan, when he stabbed his pipe at me and said, "I suppose you’re going off to camp this summer and leave me alone and unprotected with all the grown-ups, eh?"
"I reckon not," I said.
"Why not? They got all sorts of things up there in the mountains. They got counselors, and a swimming lake, and archery, and woodworking, and basket making, and lectures, and all sorts of things. You’ll get to live in a tent and paddle a canoe and -- "
"I been in a tent and I got a boat and I got the Atlantic Ocean and the Cape Fear River to swim in," I told him. "I got you for a counselor. I ain’t interested in basket making or archery, because I got a shotgun and a boat that needs fixin’. I just ain’t got time to play with children. The duck blind’s a mess."
"But here it is just spring, with a whole summer ahead of you," the Old Man was teasing me.
"The way I figger, I’m through Christmas already," I said, "and by that time it’ll be puppy-training time and we’re right back in the summer again."
"I expect you may be right," the Old Man admitted. "Time just seems to fly away for a boy. That, I s’pose, is why one day you wake up suddenly and you ain’t a boy any longer. Anyhow, I’m glad you ain’t going. It gets awful lonesome around here with all them grown-ups."
| |
Books
Dixie Deer Hunt. Philadelphia, Pa.: Curtis Publishing Company, 1946.
Grenadine Etching, Her Life and Loves. Garden City: Doubleday, 1947.
Grenadine’s Spawn. Garden City: Doubleday, 1952.
The Honey Badger. New York: McGraw-Hill, 1965.
Horn of the Hunter. Garden City, N.Y.: Doubleday, 1953.
I Didn’t Know it Was Loaded. Garden City, N.Y.: Doubleday, 1948.
The Iron Gate of Jack & Charlie’s "21": Thru Which is Presented a Vivid Portrayal of a Unique Institution/By a Distinguished Group of Authors, Artists and Celebrities. New York: Jack Kriendler Memorial Foundation, 1950.
The Old Man and the Boy. New York: Holt, 1957.
The Old Man’s Boy Grows Older. New York: Holt, Rinehart and Winston, 1961.
One for the Road. Garden City, N.Y.: Doubleday, 1949.
Poor No More: a Novel. New York: Holt, 1959.
Something of Value. Garden City, N.Y.: Doubleday, 1955
Uhuru, A Novel of Africa Today. New York: McGraw-Hill, 1962.
Use Enough Gun: On Hunting Big Game. New York: New American Library, 1966.
Women. New York: New American Library, 1967.
Mr. Ruark was also a frequent contributor to periodicals, including Esquire, Field & Stream, Playboy, Saturday Evening Post, This Week Magazine, and True.
Additional information on Mr. Ruark and his work can be found in:
Barge, Beverly Lake. "A Catalog of the Collected Papers and Manuscripts of Robert C. Ruark." M.A. thesis, University of North Carolina at Chapel Hill, 1969.
Morabito, Richard A. "The Theme of the Initiation of Youth into Manhood in Robert Ruark’s The Old Man and the Boy: A Comparison with John Steinbeck’s The Red Pony, William Faulkner’s The Bear, and Ernest Hemingway’s In Our Time." M.A. thesis, University of North Carolina at Chapel Hill, 1967.
Renouard, Michel. "Robert Ruark (1915-1965), Journaliste et Romancier: L’Echec d’une Reussite." Ph.D. dissertation, Unversite de Paris-Sorbonne, 1987.
Voeltz, Robert A. "The Imperialist and the Tough Guy: Rudyard Kipling and Robert Ruark." Lamar Journal of the Humanities 15 (Fall 1989): 17-27.
|