You have an intriguing premise for your short story and a great protagonist. Maybe you already know how your story will end, or how hard that middle part will hit. But now you’re faced with the real work of giving your fictional people inner lives — of writing emotion in a way that isn’t brittle or hammy. Learn how in this fun, two-hour class with Melanie McGee Bianchi, editor and author of The Ballad of Cherrystoke and Other Stories.