WRIGHTSVILLE BEACH—Melissa Crowe, co-editor of Beloit Poetry Journal, will lead the session "Fine Lines" at the North Carolina Writers' Network 2017 Fall Conference, November 3-5, at the Holiday Inn Resort in Wrightsville Beach.
Registration is now open.
In this class, attendees will explore “line logic," the line as the poem’s primary unit of composition; they’ll pay some attention to how skilled poets make choices about line length and line breaks, and they’ll have a look at the ways in which contemporary poets trouble or test convention, fiddling with a line's music and structure, perhaps discovering new ways to create tension and energy. Participants will engage in exercises designed to get them experimenting with lines and line breaks in their own poems and should come away surprised at the difference this kind of attention to the line can make in their work.
NCWN has been celebrating literary journals this year, so we asked Melissa to tell us about her first publication.
"I was in the Ph.D program at the University of Georgia when I really started sending work out in earnest, and I was also the mother of a very small girl. I was mostly writing about her—the experience of pregnancy, birth, and mothering. These subjects were, aside from my coursework, about all I could manage to think about in those days. I was also hearing, on a pretty regular basis, that nobody likes 'mother poems.' Disheartening to say the least. But I kept writing them, and I kept sending them to magazines, and the first one to get picked up was 'Bruise,' a brief lyric about watching Annabelle walk for the first time. It appeared in the Winter/Spring 2003 issue of Crab Orchard Review. Suddenly I was a bonafide mother-poet, and suddenly that felt like a truly good thing. I’ve remained grateful to Allison Joseph and Jon Tribble ever since."
Melissa Crowe is the author of two chapbooks, Cirque du Crève-Cœur (dancing girl, 2007) and Girl, Giant (Finishing Line, 2013), and her poems and essays have appeared in the Atlanta Review, the Crab Orchard Review, and the Seneca Review, among other journals. She’s co-editor of Beloit Poetry Journal and coordinator of the MFA program in Creative Writing at UNCW. She lives in Wilmington with her husband, Mark, and their daughter, Annabelle.
The University of North Carolina at Wilmington Department of Creative Writing will sponsor the Closing Reception of Writers' Week, which leads directly into the Opening Reception of NCWN's 2017 Fall Conference, on Friday, November 3, beginning at 6:00 pm.
Fall Conference attracts hundreds of writers from around the country and provides a weekend full of activities that include lunch and dinner banquets with readings, keynotes, tracks in several genres, open mic sessions, and the opportunity for one-on-one manuscript critiques with editors or agents. This year's Master Classes will be led by Dan Albergotti (Poetry); Wendy Brenner (Creative Nonfiction); and Nina de Gramont (Fiction).
The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to all writers, in all genres, at all stages of development. For additional information, visit www.ncwriters.org.