Elliott University Center
University of North Carolina at Greensboro
Saturday, April 28, 2012
The North Carolina Writers' Network and the Creative Writing Program at UNC-Greensboro bring you a full day of workshops on the campus of the University of North Carolina at Greensboro. We're giving you more of what you've asked for—small classes, top writing faculty, and intensive workshops in fiction, nonfiction, poetry, children's writing, publishing, and accounting and marketing skills for authors.
Register Online | Download a Registration Form**Pre-registration is now closed. On-site registration available 4/28**
FEES AND LOGISTICS | SCHEDULE AT-A-GLANCE | CONFERENCE CLASSES | FULL CONFERENCE SCHEDULE | FACULTY BIOGRAPHIES
Fees and Logistics
Register Online | Download a Registration Form**Pre-registration is now closed. On-site registration available 4/28**
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Early registration ends Friday, April 20. Members may register on-site April 28 for $135. |
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On-site registration as a walk-in:
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Scholarships
If you would like to apply for a scholarship, please send a C.V. and a letter of interest to
Cancellations
Cancellations must be made in writing and arrive at the Network office by 4:00 pm, Thursday, April 19, for you to receive a 50 percent refund. Send request to
Nearby Hotels
For favorable rates at the following hotels, mention that you are attending an event at the University of North Carolina at Greensboro.
- Greensboro Marriott, Downtown, www.marriott.com/gsodt
- Troy-Bumpas Inn Bed and Breakfast, www.troy-bumpasinn.com
For Writers with Special Needs
The North Carolina Writers' Network strives to make our programs and services accessible to all writers, including those with special needs. If you require conference materials either in large print or in Braille, or if you require a sign-language interpreter, please register for the conference and submit your request to
Schedule At-a-Glance
Register Online | Download a Registration Form**Pre-registration is now closed. On-site registration available 4/28**
| Saturday, April 28 | |
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| 8:30-9:00am | Registration Exhibit Tables and Book Sales (open from 8:30 am - 6:00 pm) |
| 9:00-10:30 am |
Workshop Session I:
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| 11:00 am - 12:00 pm |
Open Mike Readings - Sign up at registration table |
| 12:00-1:00pm | Lunch on your own OR "Lunch with an Author": A new chance for the Network to network. From 8:00-9:00 am, registrants can sign up to join a group of no more than ten who will take one of our faculty members out to lunch for some good company and informal conversation. Participants will split the cost of their author's lunch, as well as paying for their own meal. Elliott Center Food Court and Commons Link: www.uncg.edu/euc/foodcourt Exhibit Tables Open, Book Sales |
| 1:00-2:00 pm | Faculty Readings |
| 2:30-4:00 pm |
Workshop Session II
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| 4:30-5:30pm |
Introducing the Literary Map of North Carolina |
| 5:30-6:30pm |
Publishers Panel |
Conference Classes
Register Online | Download a Registration Form**Pre-registration is now closed. On-site registration available 4/28**
Fact and Fiction (All-Day Fiction) with Alan Michael Parker**Closed**- “What Did You Say?”: Dialogue Matters in Nonfiction (All-Day Nonfiction) with Randall Kenan
Intensive Half-Day Workshops with
- Megan Bryant (children's)
- Justin Catanoso (fiction)
- Mylene Dressler (fiction)
- Paul Bogard (nonfiction)
- Rebecca Black (poetry)
- Janice Fuller (poetry)
- Charles Fiore (publishing)
- Ted Shalek (publishing)
Choose one of the all-day workshops, which meet in the morning and resume after lunch.
Or
Choose from among the half-day workshops and select one class for the morning session and another class for the afternoon session.
Either way,
- Registration from 8:30-9:00 am
- Morning sessions from 9:00-10:30 am
- Open Mike Readings from 11:00 am - 12:00 pm (Sign up at registration table)*
- Lunch with an Author from 12:00-1:00 pm
- Faculty Readings from 1:00-2:00 pm
- Afternoon sessions from 2:30-4:00 pm
- Keynote Address from 4:30-5:30 pm*
- Publishers Panel from 5:30-6:30 pm*
- Exhibits open all day*
See the full schedule for more information about the day's activities.
*Open to the Public!
Full Conference Schedule
Register Online | Download a Registration Form**Pre-registration is now closed. On-site registration available 4/28**
8:30–9:00 am Registration
8:30 am – 6:00 pm Exhibits & Book Sales Open
9:00–10:30 am Workshop Session I
Fact and Fiction (All-Day Fiction) with Alan Michael Parker **Closed**
You can’t make it all up, right? Nor can you render religiously exactly what happened—stories need invention, the mechanics of time, re-telling, and shape. Stories need characters and scenes: life doesn’t always accommodate. So what’s the best way to combine experience and imagination and write the best fiction? In this class, we will focus on questions of fidelity, distortion, fancy, and freedom, as we examine various ways to approach the writing of fiction. Bring a pen, lots of paper, and a good-sized ball of string (really). In the morning, exercises and discussion: in the afternoon, more, as well as a little adventure…
“What Did You Say?”: Dialogue Matters in Nonfiction (All-Day Nonfiction) with Randall Kenan
A tension has always existed between nonfiction (factual) writing and the siren call of fiction, where the writer can make the characters say whatever we like. How do we capture quality, telling speech from real people without crossing the line into “invention”? What is good dialogue? Dialogue is first and foremost about characterization. We will examine the concepts of subtext, “Amurican” English, of spelling and of phonetics. How does one develop a good ear? In workshop we will be closely reading brief samples from recognized masters of nonfiction writing—Joseph Mitchell, Joan Didion, John McPhee, and others. Participants are asked to bring a page or two from their work involving reported speech. Recommended reading: Up In the Old Hotel by Joseph Mitchell.
Get Out of That Room in Your Head: Crafting Physically-Charged, Moving Fiction (fiction) with Mylène Dressler
As writers, we face a daily challenge: we create (and live, much of the time) in the spaces inside our heads, yet our task is to create dynamic, breathing characters and active, arcing stories capable of moving our readers as well as stopping them dead in their tracks. How can we notice and break through “brain-locked” writing, and learn to craft fiction that inhabits the physical world, packing visceral as well as emotional punch? In this workshop, we’ll discuss the limitations of writing that happens only-inside-our-heads, and explore techniques and exercises that will help you—and your audience—connect with your stories and characters in charged, vital, and vivid ways.
The Persona Poem with Janice Fuller
In his poem “Ars Poetica,” Czeslaw Milosz proclaims, “The purpose of poetry is to remind us / how difficult it is to remain just one person, / for our house is open, there are no keys in the doors, / and invisible guests come in and out at will.” This workshop will explore the reasons writers turn to persona poems and the creative value of this experience. The persona (or mask) poem is a first-person poem in which the poet assumes the voice of an object or person. The workshop will begin with a reading of some canonical and contemporary models of the persona poem in order to consider which qualities make the poems successful. The session will also include tips for how to invite “invisible guests” into our poems.
A Nonfiction Story: From Idea to Book with Justin Catanoso
In this session, journalist and author Justin Catanoso will take you through the process of producing a nonfiction book: developing the idea, working with an agent, obtaining a publisher, and doing the work necessary to write a 350-page manuscript in 15 months. In Catanoso’s case, the result was his first book, a family memoir published by HarperCollins in 2008. This interactive session will also share such documents as the book proposal, outlines, and note cards used to organize each section of each chapter, and examples of edited chapters.
Accounting for Writers with Ted Shalek
This workshop will cover the accounting basics that writers need to know: how royalties are taxed, what expenses can be deducted, what authors have to do to (legally) sell their books themselves, and the point at which a hobby becomes a business.
11:00 am – 12:00 pm Open Mike Readings
Sign up at registration table
12:00–1:00 pm Lunch
“Lunch with an Author” sign-up at registration table
1:00–2:00 pm Faculty Readings
2:30–4:30 pm Workshop Session II
Fact and Fiction (All-Day Fiction) with Alan Michael Parker **Closed**
“What Did You Say?”: Dialogue Matters in Nonfiction (All-Day Nonfiction) with Randall Kenan
Showing AND Telling (poetry) with Rebecca Black
“Show, don't tell,” is the first rule of writing well—you've heard that often enough. However, good poems can arise from the right mixture of scenes, images, and striking moments when the writer speaks his or her mind with clarity and boldness. During this workshop, we’ll explore poems that delight in exploiting the delicate balance between showing and telling. As the session progresses, we’ll try drafting our own poems by imitating a few model poems by Louise Gluck, Elizabeth Bishop, Billy Collins, and other masters, using simple, timed writing exercises to generate new work. Students will leave with a sense of accomplishment, knowledge of some excellent model poems, and a new poem draft.
Writing the Natural World with Paul Bogard
In this workshop we will explore writing about the natural world. No matter what genre you write most, a careful and colorful representation of the natural world can add life and credibility to your work. We will look at a few examples of nature writing and environmental writing, then try our hand at some of the techniques we've talked about. While our focus will be on creative nonfiction literature, writers of fiction and poetry can benefit as well from learning new ways of incorporating an attention to the natural world into their work.
Breaking into Children’s Publishing with Megan Bryant
Children’s publishing is more competitive than ever before. In this workshop, you’ll gain an understanding of the current business climate that will provide a solid foundation for pitching and selling your manuscript in today’s especially competitive conditions. We’ll also discuss tips, tricks, and practical advice about writing for children.
Guerilla Tactics: Promotional Strategies for the Cash-Strapped Author with Charles Fiore
Unless money’s no object, you’ve got to be ferocious when publicizing your book. And whether you’re a self-published author or you’ve gone the traditional route, nobody loves your book like you do, and no one is going to work harder, or be a better proponent, for your book than you. In this workshop, we’ll discuss low-cost strategies for being your own marketing and PR department—the same strategies used by professional PR agents and publishers that you can do for a fraction of the cost. We’ll discuss the dos and don’ts of author website design; how to mobilize the robots at Amazon.com to work for you; and develop successful tactics for getting media attention for your book and your events. You’ll leave this workshop energized and fully equipped to begin promoting your book—whether or not you’ve got the backing of a publisher’s marketing department.
4:30–5:30 pm Introducing the Literary Map of North Carolina
Archivists Jennifer Motszko, Kathelene Smith, and Keith Gorman discuss the development of an online map devoted to the literary heritage of North Carolina. The University of North Carolina at Greensboro Libraries, working with the North Carolina Center for the Book, is developing an innovative online literary map of North Carolina to support public interests, encourage student research, and document the state’s rich literary tradition. This unique project is a database-driven, searchable/browse-able, multi-level, multi-media online research tool which provides an extensive amount of content on works written about North Carolina and authors associated with the state. Currently, a formal launch for the website is planned for the fall of 2012. The presenters will also give a sneak peek at the project’s future plans, which include digitization of original manuscript materials, development of educational and cultural resources, and sustainability of the Map.
5:30–6:30 pm Publishers Panel
Faculty Biographies
Register Online | Download a Registration Form**Pre-registration is now closed. On-site registration available 4/28**
Introducing the Literary Map of North Carolina |
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 Archivists Jennifer Motzko, Kathelene Smith, and Keith Gorman discuss the development of an online map devoted to the literary heritage of North Carolina. The University of North Carolina at Greensboro Libraries, working with the North Carolina Center for the Book, is developing an innovative online literary map of North Carolina to support public interests, encourage student research, and document the state’s rich literary tradition. This unique project is a database-driven, searchable/browse-able, multi-level, multi-media online research tool which provides an extensive amount of content on works written about North Carolina and authors associated with the state. Currently, a formal launch for the website is planned for the Fall of 2012. The presenters will also give a sneak peek at the project’s future plans, which include digitization of original manuscript materials, development of educational and cultural resources, and sustainability of the Map. |
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Spring Conference Faculty |
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 Megan E. Bryant has written more than 190 children’s books (including a New York Times bestseller and two VOYA Nonfiction Honor Books) for several major publishers including Chronicle Books, Penguin, Simon and Schuster, Running Press, Scholastic, HarperCollins, and Disney. As a former children’s book editor, she has edited more than 325 children’s books in all genres. |
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 Charles Fiore is the communications coordinator for the North Carolina Writers’ Network. Previously, he served as a freelance public relations specialist and the public relations director/marketing coordinator for ACTA Publications, where he led publicity campaigns for bestselling authors Bill James, Gary Graf, and Paul Wilkes, among many others. Fiore is the author of the novel Green Gospel (Livingston Press, 2011). His short fiction has appeared in numerous literary magazines and in the anthology, Sudden Flash Youth: 65 Short Short Stories (Persea Books, 2011). His website is www.lcfiore.com. |
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 Janice Moore Fuller has published three poetry books—Archeology Is a Destructive Science, Sex Education, and Séance, winner of the Poetry Council of North Carolina’s Oscar Arnold Young Award (for North Carolina poetry book of the year). Her poems have appeared in numerous magazines and anthologies, including Magma (London), New Welsh Review, Asheville Poetry Review, Poems & Plays, Cave Wall, and Comstock Review. Her plays and libretti have been produced at Catawba College’s Florence Busby Corriher and Hedrick theatres, BareBones Theater’s New Play Festival, the Minneapolis Fringe Festival, and France’s Rendez-Vous Musique Nouvelle. A Fellow at artist colonies in Ireland, Scotland, Spain, and Portugal, she is Writer-in-Residence and Professor of English at Catawba College. |
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 Keith Gorman, Assistant Head of Special Collections and University Archives at The University of North Carolina at Greensboro, obtained his MLS from Simmons College and Ph.D. in history from the University of Wisconsin-Madison. After a career as a cultural historian, Keith left the classroom and worked at a number of different repositories from the Smithsonian to the Martha’s Vineyard Museum. His current research focus is on the role of archives in shaping a community’s identity and collective memory. |
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The 2012 Spring Conference is made possible with support from the Creative Writing Department at UNC-Greensboro and the North Carolina Arts Council.
