- Written by Administrator
- Category: Network News
GREENSBORO—Can’t make it all the way to Oregon for this year’s AWP Conference? Then has the Network got a deal for you.
Thanks to a grant from the North Carolina Arts Council, the North Carolina Writers’ Network will host a one-day Career Development Workshop for Writers, presented by Creative Capital, on Saturday, March 30, at the University of North Carolina at Greensboro.
Creative Capital’s intensive one-day Career Development Workshop will cover strategic planning, business management, goal setting, negotiations and income streams—all geared towards the specific needs and circumstances of writers. Participants will learn key business, management, and communications skills and hear first-hand from other writers how these tools can be used to achieve success, however they define it.
In addition to lecture presentations, participants will join in interactive exercises, hear case studies, have the opportunity to meet with leaders in small working groups, and take home a Strategic Planning workbook to help guide their process.
Burnsville novelist Abigail DeWitt, a past participant in a Creative Capital Career Development Workshop, said of her experience, “It was great—life-changing, actually.”
DeWitt is the author of three novels, most recently News of Our Loved Ones.
The March 30 workshop will be co-led by poet and Creative Capital Awardee Tracie Morris and strategic planning consultant Colleen Keegan.
Morris is a writer, sound poet, critic, scholar, bandleader, actor, and multimedia performer. She is the author of Intermission, Chap-T-her Won, handholding: 5 kinds, Rhyme Scheme, and was co-editor, with Charles Bernstein, of BAX 2016: Best American Experimental Writing. She leads her own eponymous band and is a lead singer for Elliott Sharp's group, Terraplane. Morris has earned numerous awards and fellowships for poetry and performance, including New York Foundation for the Arts, Asian Cultural Council, Franklin Furnace and Creative Capital fellowships as well as residencies at Millay, Yaddo and MacDowell colonies. She is a former Poetics fellow of the Center for Programs in Contemporary Writing at the University of Pennsylvania, a Cave Canem Fellow, and Professor and Coordinator of Performance and Performance Studies at Pratt Institute, New York. She holds an MFA in Poetry from Hunter College, a Ph.D in Performance Studies from New York University, and has studied at the Royal Academy of Dramatic Art in London and at Michael Howard Studios. Morris is currently visiting professor of poetry at the Iowa Writers’ Workshop.
Keegan is a corporate Strategic Planner and Arts Activist. She is a partner in Keegan Fowler Companies, an equity investment and consulting firm specialized in providing strategic planning and business affairs services to companies in the communications and entertainment industries. Previously, Keegan served as the president of Pacific Arts Video Production and Washington Video Services, and also worked as a producer for MTV Networks, WETA, and Showtime. Keegan is the art business adviser for the TED Fellows program and the Co-Chair of the TED Fellows Arts Committee. She lectures on art and new markets at California College of Art, Cal Arts, and the Wharton Business School among others.
Workshop participants will learn key skills, including:
- A personalized system for using strategic planning to increase your satisfaction in your life and career
- Improved communication techniques to represent yourself and negotiate with clarity and confidence
- Strategies for balancing time and money
- Calculating the real cost of your time for budgets and negotiations
- Essentials for running your art practice as a small, independent business, including employment, contracts, incorporation options, budgeting and cash flow
- How to write and use a business plan and why it is crucial to both personal and professional development
- How to analyze, navigate and secure teaching and other related opportunities
Accepted participants will leave the workshop with a personalized plan of action based on their own goals for their writing careers, a close community of informed and educated peer artists (including participants and workshop leaders) who can act as resources for future endeavors, and the Strategic Planning Workbook, which includes exercises and evaluation processes to work toward personal goal setting and financial management.
The registration fee for this full-day workshop—a value of more than $200, including morning and afternoon refreshments, lunch, and the Strategic Planning Workbook—is only $35 for NCWN members, $75 for non-members.
This Career Development Workshop is open only to the first 24 qualified applicants. Those who wish to register must apply online through the NCWN Submittable page, submitting a short writing sample, a current CV, and a brief Statement of Writing Intent, along with the registration fee. Applications will be reviewed and accepted on a rolling basis until the workshop fills or the registration deadline of Monday, March 18, whichever comes first—so don’t wait until the last minute to apply. Applicants who are not accepted into the workshop will receive a refund of their registration fee.
Kim Church, author of the award-winning novel Byrd, said, “I’ve taken two Creative Capital workshops, one at Penland and one through the NC Arts Council when I got a fellowship a few years ago. I found them useful in that they helped me be clear about my professional goals and how much time I needed to allocate to career development and marketing. The workshops are probably most useful for writers just starting to think about the business of writing, but they’re also good refreshers.”
“I loved the CC workshop I attended,” said poet Anna Lena Phillips Bell, author of the Vassar Miller Prize–winning Ornament and editor of Ecotone. “It was really clarifying, and a different perspective than I often hear about living and working as an artist . . . one that acknowledges artists should be and can be paid for their work, and offers helpful guidance on how to make that happen more.”
Creative Capital supports innovative and adventurous artists across the country through funding, counsel and career development services. Our pioneering venture philanthropy approach helps artists working in all creative disciplines realize their visions and build sustainable practices. Made possible through public and private philanthropy, Creative Capital has committed $45 million in financial and advisory support to 561 projects representing 700 artists, and our peer-to-peer career development program has reached more than 15,000 artists in 700 communities through in person and online workshops. Learn more online at http://www.creative-capital.org.
The North Carolina Arts Council builds on our state’s long-standing love of the arts, leading the way to a more vibrant future, and serving as an economic catalyst, fueling a thriving nonprofit creative sector that generates $2.12 billion in annual direct economic activity. The Arts Council also sustains diverse arts expression and traditions, while investing in innovative approaches to art-making. Visit them online at http://www.NCArts.org.
- Written by Administrator
- Category: Network News
GREENSBORO—As a fiction writer, you want to tell a good story. But how will the shape of that story influence—and be influenced by—the narrative?
What about the world you're trying to build? Does it lie there static like a cardboard cutout? Or is it a dynamic world filled with people or things that interact and exchange dialogue every now and then?
The North Carolina Writers' Network 2019 Spring Conference on Saturday, April 27, at the University of North Carolina at Greensboro, can help you settle these questions for yourself, and more.
Registration is now open.
Writers interested in fiction, or those who want to sample a broader selection of classes, may register for several offerings.
Krystal A. Smith, whose debut collection of speculative fiction Two Moons: A Collection of Short Fiction came out last year from BLF Press, will lead the session "Writing Speculative Fiction: World Building to Shape Story."
World building plays a major role in a speculative fiction story’s believability. Environment often motivates a character’s actions and attitudes. In this workshop, writers will practice world building techniques and create context for characters’ actions, thoughts, needs, and desires.
Kathryn Schwille, author of the novel, What Luck, This Life, which was selected by the Atlanta Journal-Constitution as one of the best Southern books of 2018, will lead the session "The Art of Dialogue."
Talk is easy. Dialogue? That’s something else. In this class, participants will talk about what makes good dialogue--how to use it and when, what it can do and what it can’t. How can speech reveal character? How can it be planted in a garden that enriches it? Attendees will start with a short exercise, then look at the work of master story-tellers. In the meantime, eavesdrop on their fellow humans, and listen for the unsaid.
"Stepping Back from Your Writing" with Joseph Mills, whose poetry collection This Miraculous Turning was awarded the North Carolina Roanoke-Chowan Award for Poetry for its exploration of race and family, invites participants to bring a draft in progress and plan to revise. In James Thurber’s “Many Moons,” a jeweler steps back from a creation and asks, “What is this thing I’ve made?” This is what wall writers need to do as we revise, but it can be difficult to get the necessary distance. In this workshop, participants will discuss ways to “defamiliarize themselves” with their writing so that they can see it more clearly, and they’ll consider several quick “down and dirty diagnostics” exercises that help a writer assess a piece of work in process.
Additional conference programming includes "Lunch with an Author" (only available to those who pre-register); faculty readings and open mics; and the annual Slush Pile Live! where poetry and prose will be read aloud in two rooms in front of panels of editors and publishers, who will raise their hands as soon as they hear something in the pieces that would make them stop reading if they came across the submission in a slush pile.
The nonprofit North Carolina Writers’ Network is the state’s oldest and largest literary arts services organization devoted to writers at all stages of development. For additional information, visit www.ncwriters.org.